Tuesday, January 15, 2008

ENROLLMENT NOW OPEN FOR THE LAGUNA PLAYHOUSE’S WINTER 2008 YOUTH THEATRE CLASSES
Classes include Acting for Teens, Stage Combat, Musical Theater Workshop, and a special Johnny Mercer Foundation Workshop
Registration Deadline is January 25, 2008

Children ages 6 through 18 can discover the joys of theater and learn the skills of performing live on stage by enrolling in one of the Laguna Playhouse Winter 2008 Youth Theatre Classes.

Winter acting classes are eight weeks long and are held on one day or evening per week. The Stage Combat classes and the Johnny Mercer Foundation Workshop are offered one weekend only. Most classes are located at The Laguna Playhouse Production Center in Laguna Hills, and are taught by working theatre professionals who have many years of experience in youth theatre. End of the class showcases or demonstrations are presented to families and friends.


Winter 2008 Youth Theatre Classes

STAGE COMBAT WORKSHOP

Ages: 12-18

Date: Jan 26 and 27

Day/Time: Saturday and Sunday 1:00 p.m. to 5:00 p.m.

(Must be able to attend both days)

Fee: $125

Instructor: Christopher Villa

Location: City of Laguna Beach Recreation Department

For students who want to learn safe techniques in hand-to-hand and perhaps some small weaponry combat. Basic techniques taught safely by Certified Master Teacher.

CREATIVE DRAMA

Ages: 6-8

Date: Feb 4 – April 7

(No class Feb 18 and March 24)

Day/Time: Monday 4:00 p.m. to 5:30 p.m.

Fee: $136

Instructor: Jane Hilary

Location: Laguna Playhouse Production Center in Laguna Hills

This class is an excellent introduction to acting. Students explore self expression through playful exercises and rehearsal in preparation for their showcase. Students will increase their concentration, memorization skills, and focus their energy as they enjoy the creative experience. There is final showcase on the last day of class. Enrollment is limited to 10 students. Age requirements are firm.

ACTING FUNDAMENTALS

(Class is full with a waiting list)

Ages: 9-11

Date: Feb 5 – April 1

(No Class March 25)

Day/Time: Tuesday 4:00 p.m. to 6:00 p.m.

Fee: $136

Instructor: Jane Hilary

Location: Laguna Playhouse Production Center in Laguna Hills

Learn how to act in a fun and supportive environment! This class will focus on the creative needs of the individual student as well as ensemble acting; through short scenes, monologues and audition material. Class work is presented in a final showing. Enrollment is limited to 12. This class is an excellent preparation for The Laguna Playhouse Conservatory program.

INTERMEDIATE ACTING

Ages: 11-13

Date: Feb 5 – April 2

(No Class March 26)

Day/Time: Wednesday 4:00 p.m. to 6:00 p.m.

Fee: $136

Instructor: Jane Hilary or staff

Location: Laguna Playhouse Production Center in Laguna Hills

Basic acting skills include audition techniques are explored in exercises, short scenes, improvisation and ensemble pieces. Students work at their own skill level. Individual creativity encouraged. A class project is presented at the last class. Enrollment is limited to 12 students. Class progresses each session.

ACTING FOR TEENS

Ages: 13-18

Date: Feb 7 – April 3

(No Class March 27)

Day/Time: Thursday 6:30 p.m. to 8:30 p.m.

Fee: $136

Instructor: Jane Hilary or staff

Location: Laguna Playhouse Production Center in Laguna Hills

All students are welcome. This class offers continuous work on “using and working from self.” Audition techniques, monologues, scene study, improvisation, and basic character work. Class moves along rapidly and progresses each session.

SPECIAL CLASS

JOHNNY MERCER FOUNDATION WORKSHOP

Ages: 9-18

Date: Feb 9 and 10

Day/Time: Saturday and Sunday 9:00 a.m. to 5:00 p.m.

(Must be able to attend both days)

Fee: $35

Instructor: Sari Rose Poll and the Johnny Mercer Foundation Artists

Location: Laguna Playhouse Production Center in Laguna Hills

Composer explored: Frank Loesser

The second annual workshop is back by popular demand! A special weekend of Musical Theater is offered to our community. Students will sing, dance, write their own songs and create artwork. The Composer explored this year is Frank Loesser (Guys & Dolls, How to Succeed in Business). Learn about beloved songwriter Johnny Mercer.

Instructor Bios

Jane Hilary is in her 15th year as instructor for The Laguna Playhouse. She studied at the Royal Theatre Company in England as well as taught and directed both adults and young people. Jane is a professional actress, Stage Manager, and private coach.

Chris Villa is a professional, certified fight choreographer, actor and teacher at UCI. He has worked for The Laguna Playhouse for 7 years.

Monday, January 14, 2008



INTERNATIONALLY ACCLAIMED SENSATION
LUIS BRAVO’S FOREVER TANGO WILL SIZZLE
WILSHIRE THEATRE FOR 4 PERFORMANCES ONLY!

Luis Bravo’s FOREVER TANGO, the internationally celebrated entertainment event that has played to great acclaim in Europe, Canada and throughout the United States, and most recently enjoyed its third run on Broadway, will beguile and ignite Los Angeles audiences at Wilshire Theatre Beverly HIlls, for 4 performances only. The performance schedule is Friday, February 29 at 8:00pm, and Saturday, March 1 at 2:00pm and 8:00pm, and Sunday, March 2 at 3:00pm.

“Intoxicating” “Superbly theatrical”
“The most magnificent, romantic, exciting evening you can ever spend!"

Sensuous and sophisticated, the tango inhabits a world where everything can be said with the flick of a leg, the tug of a hand, the tap of a foot and the arch of an eyebrow. Created and directed by Luis Bravo, FOREVER TANGO was voted Best Touring Musical by Bay Area Theatre Critics Circle in San Francisco where it played an unprecedented 92 weeks at the Theatre on the Square and has returned season after season. Truly an international event, FOREVER TANGO was also awarded the coveted Simpatia Prize at the 1996 Spoleto Festival in Italy.

FOREVER TANGO features fourteen world-class tango dancers, one vocalist and an on-stage eleven piece orchestra, including the instrument of the tango, the bandoneon, in an evening that celebrates the passionate music and dance of Argentina. The dances, performed to original and traditional music, are the result of collaboration between each couple and director/creator Bravo. “The tango is a feeling that you dance,” says Bravo, “a story you tell in three minutes. It’s passionate, it’s melancholic. It’s tender, violent. You dance it with somebody – but it is so internal, you dance it by yourself. More than just a dance, the tango is music, a drama, a culture, a way of life.”

FOREVER TANGO tells the story of the birth of the tango in 19th century Argentina where thousands of men, having abandoned a disintegrating Europe to emigrate to South America, found themselves in the crowded abattoirs (packing houses), the bars and street corners of the arrabales (outlying barrios) and in the enramadas (brothels). The tango was born of this lonely and violent existence. Originally shunned by Argentina society as indecent, the tango became an overnight craze in upper-class Paris when Argentine intellectuals taught it when traveling abroad. The tango quickly spread across Europe and to America, and was eventually re-imported home to Argentina society, though not unchanged. Born in the brothels and bordellos of Buenos Aires, the tango may be Argentina’s best known export.

Creator/director of FOREVER TANGO, Luis Bravo is a world-class cellist who has performed with major symphonies throughout the world. His distinguished credits include appearances with the Los Angeles Philharmonic, the Colon Theatre Opera House, the Buenos Aires Philharmonic and other prestigious ensembles.

FOREVER TANGO’s design team includes Argemira Affonso (Costumes), Luis Bravo (Lighting), Mike Miller (Sound), and Jean-Luc Don Vito (Make-up). Lisandro Adrovar serves as Musical Director/Arranger and composed some of the music in the show.

FOREVER TANGO opened on Broadway June of 1997 for what was expected to be an eight-week engagement, ran for 14 months and has since been back to New York on Broadway on two separate occasions. The New York Times called FOREVER TANGO, “A must-see!” And USA Today said, “Forever Tango shows that the style is more than steamy – it’s smart, even funny … a sensuous, seductive, pleasure.” The New York Daily News raved that the show was, “an evening of sheer pleasure! Sensual, elegant, dazzling!” And the Associated Press declared it to be, “the most theatrical show on Broadway!” These sizzling reviews and huge demand for tickets forced the run to be extended again and again.

FOREVER TANGO will be distributed to public television stations starting on March 1, 2008. Check local listings for broadcast date and time information. In addition, The Forever Tango DVD and CD will be released into retail starting in March 2008 and will also be available through major on-line retailers. The DVD will contain the 60 minute program to be broadcast by public television stations and will also contain bonus features including rehearsals, auditions and backstage footage. The CD and DVD can also be found at DPTV Media www.dptvmedia.org

Tickets for the Los Angeles engagement of FOREVER TANGO at the Wilshire Theatre Beverly Hills are priced at $30-$100, and are currently on sale at the Wilshire Theatre Box Office, 8440 Wilshire Blvd. and by phone at 323-655-0111. Tickets can also be purchased through Ticketmaster - online at ticketmaster.com, by phone at Ticketmaster at 213-365-3500, and all Ticketmaster outlets.

More information is available online at www.ForeverTango.us and www.wtbh.org

Sunday, January 13, 2008

Camino Real Playhouse

presents Thornton Wilder's

“Our Town”

San Juan Capistrano’s long established community theatre, The Camino Real Playhouse, presents Thornton Wilder’s Pulitzer Prize winning American Classic Drama “Our Town.” Perhaps the best-known modern American play, Thornton Wilder's “Our Town” is so much more than a loving portrait of small-town America. Deceptively simple, daring in its immediacy, it celebrates the compelling connection between actors and audience.

A true American classic and perhaps the most frequently produced play by an American playwright; “Our Town” is set in the fictional community of Grover's Corners. Through the actions of the Stage Manager, the town is created for the audience and scenes from its history between the years of 1901 and 1913 play out.

Our Town” is a story of character development that details the interactions between citizens of an everyday town in the early 20th century through their everyday lives; including the lives of George Gibbs, a doctor's son, and Emily Webb, the daughter of a newspaper editor. Wilder offers a vision of community beyond time and place: the powerful transcendence of daily life - if only for a moment.

Our Town” opens with a Preview Performance on February 8 at 8:00pm, followed by the Opening Night GALA on February 9 with regular performances through Sunday February 24.

Preview Night tickets are $15 with regular performance tickets selling for $19. Opening Night GALA tickets are $30 and include a buffet dinner and beverages from one of the wonderful local restaurants and the fun of socializing before the play with doors opening at 6:30pm for our 8:00pm performance.

Evening Performances are at 8:00pm on Thursdays February 14 and 21, Fridays February 15 and 22, Saturdays February 16 and 23 and with Matinees at 2:00pm on Sundays February 10, 17 and 24.

Tickets can be purchased by visiting the theatre’s website online at www.caminorealplayhouse.org or by calling the theatre’s Box Office at (949) 489-8082 and leaving your name and phone number.

Director Trina Klossing of Rancho Santa Margarita has assembled a talented ensemble that includes; Matthew Dougherty of Costa Mesa, Barbara A. Barkley of Dana Point, Roger K. Weiss of Foothill Ranch, Carl Wawrina of Huntington Beach, Meghan Smiley of Laguna Hills, Lon Lovett of Lake Forest, Leslie Williams of Mission Viejo, Ruben Miranda and Patrick Miranda of Rancho Santa Margarita, Dianne Greiner and Eric Bergstrom of San Clemente, Albert Bohorquez, Connor Hill, Kyle Bergerson, Tom Scott and Doug Gaynor of San Juan Capistrano, Jennifer Pearce of Santa Ana and Gretchen Loskutoff of Trabuco Canyon.

Members of the reviewing press are invited to see “Our Town” by scheduling tickets through Beverly Blake, Vice President of The Camino Real Playhouse, by phone at (949) 374-2002 or via email at bblake67@cox.net.

Orange County Actors Network

Tuesday, December 25, 2007

Li’l Abner”

Music by Gene de Paul
Lyrics by Johnny Mercer
Book by Norman Panama and Melvin Frank

Based on cartoon characters by Al Capp 


Musical Direction by Darryl Archibald
Choreography by Lee Martino
Directed by Michael Michetti

Limited Engagement of 16 Performances Only!
February 5 to 17 (Press Opening February 6)
at UCLA’S Freud Playhouse

The 2007-2008 season of Reprise! Broadway’s Best continues with the latest production of Li’l Abner.

“Li’l Abner” will perform Tuesday, February 5th through Sunday, February 17th at UCLA’s Freud Playhouse. For tickets, please call the UCLA Central Ticket Office at 310/825-2101 or visit www.reprise.org.

Welcome to Dogpatch, U.S.A., which has just been deemed "the most unnecessary, no account" town in the country. In a scramble to keep Dogpatch from being used for atomic testing and to also save the beloved Sadie Hawkins day, Li'l Abner, Daisy Mae and the other wild and colorful citizens of Dogpatch must find a reason why their town is worth something! 
Based on the famous comic strip by Al Capp, this witty musical satire features the songs "Namely You," "The Country's in the Very Best of Hands,' and the raucous, foot-stomping "Jubilation T. Cornpone."

Opening to what was described by The Daily News as “a top flight American musical, ranking with Guys and DollsLi’l Abner opened on Broadway in November of 1956 and ran for 693 performances before closing in the spring of 1958. The winner of two Tony Awards, (including Best Supporting Actress and Best Choreography) this musical features music by Gene de Paul and lyrics by Johnny Mercer, with a book by Norman Panama and Melvin Frank. Original direction and choreography is by Michael Kidd, whose stage and screen credits include Guys and Dolls, Can-Can, Finian’s Rainbow, Seven Brides for Seven Brothers, and Where’s Charley?

Li’l Abner is known for highlighting the satirical nature of Al Capp’s comic strip. Also titled Li’l Abner, Capp’s publications ran from 1934 to 1977, being read by millions of Americans on a daily basis. Its popularity led to the debut of the Broadway musical and subsequent 1959 film release, starring much of the original Broadway cast (with the exception of Leslie Parrish, in the role of Daisy Mae). In addition, the comics inspired real life Sadie Hawkins events and a Dogpatch U.S.A. amusement park.

Li’l Abner is the third attraction of the 2007-2008 Reprise! Broadway’s Best season. It will be followed by Flora the Red Menace May 6 to 18 (press opening May 7).

“Li’l Abner” will perform Tuesday, February 5th through Sunday, February 17th (press opening February 6) at UCLA’s Freud Playhouse. For tickets, please call the UCLA Central Ticket Office at 310/825-2101 or visit www.reprise.org.

Prices- Tuesday, February 5th (preview) is $60; all other performances are $70 - $75. Student/Senior rush is $20, 15 minutes before showtime (subject to availability). For tickets, please call the UCLA Central Ticket Office at 310/825-2101. For further information on Reprise! Broadway’s Best, please visit www.reprise.org.

About Reprise!

Reprise! Broadway’s Best now in its eleventh season at UCLA’s Freud Playhouse, was founded by Marcia Seligson, who served as Producing Artistic Director from 1995 – 2005, and is honored as its Founding Artistic Director. In 2007, Jason Alexander was named Artistic Director. In 2005, Jim Gardia became Producing Director. Reprise! has presented twenty-seven of America’s best and most classic musicals of this century. The late Peter Matz, one of Broadway, television and popular music’s most important conductor-arrangers, served as the musical director from the founding of Reprise! until his death in August, 2002. Gerald Sternbach has succeeded him.

Since the beginning (“Promises, Promises” starring Jason Alexander, Alan Thicke, and Jean Smart) the scope of Reprise! productions has grown considerably – the rehearsal time has doubled, costumes and scenery have increased, and orchestras have been enlarged – as Reprise! has worked its way through some of the great, and often infrequently seen American musicals.

Originally presented as “in concert” (i.e. scripts in hand), the productions are now completely staged and choreographed. The casts are drawn from the best Broadway performers working today and actors working here in Los Angeles who rarely have the opportunity to appear in musicals. The number of performances of each show has grown from seven to sixteen.

The productions have included “Finian’s Rainbow” with Andrea Marcovicci and Rex Smith; “Wonderful Town” with Lucie Arnaz and Stephanie Zimbalist; “Of Thee I Sing” with Gregory Harrison and Maureen McGovern; “The Boys From Syracuse” with David Hyde Pierce and Lea DeLaria; “Call Me Madam” with Karen Morrow; “Mack & Mabel” with Douglas Sills, Jane Krakowski and Donna McKechnie; “Strike Up The Band” with Charles Nelson Reilly; “1776” with Roger Rees and Orson Bean; “The Most Happy Fella” with Rodney Gilfry; “Anything Goes” with Rachel York and Brent Barrett; “On The 20TH Century” with Bob Gunton, Carolee Carmello, Mimi Hines, Robert Picardo and Dan Butler; “She Loves Me” with Rebecca Luker and Scott Waara; “Babes In Arms” with Joey McIntyre and Jodi Benson; “Kismet” with Len Cariou and Anthony Crivello; “Company” with Christopher Sieber and Judith Light; “Brigadoon” with Marin Mazzie and Jason Danieley; “Pippin” with Sam Harris and Michael Arden; “Applause” with Sheryl Lee Ralph and Jean Louisa Kelly; “On The Town” with David Elder and Harriet Harris; “City Of Angels” with Stephen Bogardus and Burke Moses; “Zorba” with Marc Kudisch and Judy Kaye; “My One and Only” with Michael Gruber and Rachel York. “Sunday In The Park With George” with Kelli O’Hara and Manoel Felciano; and “No Strings” with Scott Bakula and Sophina Brown.

Reprise! also produced three large special events – “Sweeney Todd” with Kelsey Grammer and Christine Baranski; “Hair” with Steven Weber, Sam Harris and Marissa Jaret Winokur; and “Follies” with Patty Duke, Vikki Carr, Bob Gunton and Harry Groener.

Monday, December 24, 2007



American Ballet Theatre Swan Lake

Choreography by Kevin McKenzie after Marius Petipa and Lev Ivanov
March 27-30, 2008
Dorothy Chandler Pavilion

American Ballet Theatre (ABT), America’s National Ballet Company™, led by Artistic Director Kevin McKenzie, returns to the Dance at the Music Center series at the Dorothy Chandler Pavilion March 27-30 with its full-evening production of Tchaikovsky’s Swan Lake. ABT’s Swan Lake features choreography by Kevin McKenzie after Marius Petipa and Lev Ivanov, set and costumes by Zack Brown, and lighting by Duane Schuler. The Wall Street Journal says ABT’s Swan Lake “glides to the forefront of stagings all over the world. The fabled lake of the swans has risen into view, inspiring awe for its mystery and magic.”

The first production of Swan Lake, with choreography by Julius (Wentzel) Reisinger, received its World Premiere by the Russian Imperial Ballet at the Bolshoi Theatre, Moscow on March 4, 1877, danced by Pelagia (Paulina) Karpakova (Odette-Odile) and Stanislav Gillert (Prince Siegfried). Swan Lake as we know it, with the Petipa/Ivanov choreography, was given its first full-length production at the Maryinsky Theatre, St. Petersburg, on January 27, 1895, with Pierina Legnani as Odette-Odile and Pavel Gerdt as Prince Siegfried.

American Ballet Theatre (then Ballet Theatre) first performed Act II of Swan Lake, with choreography by Anton Dolin after Lev Ivanov and Marius Petipa, at the Center Theatre, in New York City on January 16, 1940, with Patricia Bowman as Odette and Anton Dolin as Prince Siegfried. Mr. Dolin also choreographed the grand pas de deux from Act III as the Black Swan Pas de Deux, which was given at the Metropolitan Opera House on October 23, 1944 with Tamara Toumanova as Odile and Anton Dolin.

Act II of David Blair’s staging for ABT was first given at the New York State Theater on January 18, 1966 with Lupe Serrano and Royes Fernandez. The first performance of the complete ballet staged by David Blair was given by ABT at the Civic Opera House, Chicago on February 16, 1967 with Nadia Nerina as Odette-Odile and Royes Fernandez as Prince Siegfried. It received its first New York performance at the New York State Theater on May 9, 1967 with Toni Lander and Bruce Marks. A re-staged production of Swan Lake received its American Ballet Theatre premiere in Washington, D. C. at the John F. Kennedy Center for the Performing Arts on March 27, 1981 with Martine van Hamel as Odette-Odile and Kevin McKenzie as Prince Siegfried.

A new production of Swan Lake with choreography by Lev Ivanov and Marius Petipa and additional choreography by Mikhail Baryshnikov was given its world premiere on December 2, 1988 at the Orange County Performing Arts Center, Costa Mesa, California, danced by Susan Jaffe (Odette-Odile) and Andris Liepa (Prince Siegfried). This production received its New York Premiere on May 8, 1989 at the Metropolitan Opera House, danced by Susan Jaffe (Odette-Odile) and Ross Stretton (Prince Siegfried).

Swan Lake was revived, with staging by Kevin McKenzie and lighting by Thomas Skelton, on May 21, 1993 at the Metropolitan Opera House, New York, danced by Susan Jaffe as Odette-Odile and Jeremy Collins as Prince Siegfried.

The World Premiere of this new production was given on March 24, 2000 at the Kennedy Center for the Performing Arts, Washington, D. C., danced by Julie Kent (Odette-Odile) and Angel Corella (Prince Siegfried).

The New York Premiere of this production was given on May 19, 2000 at the Metropolitan Opera House, danced by Susan Jaffe (Odette-Odile) and Jose Manuel Carreo (Prince Siegfried).

About American Ballet Theatre

American Ballet Theatre is recognized as one of the great dance companies in the world. Few ballet companies equal ABT for its combination of size, scope and outreach. Recognized as a living national treasure since its founding in 1940, ABT annually tours the United States, performing for more than 600,000 people, and is the only major cultural institution to do so. It has also made more than 15 international tours to 42 countries as perhaps the most representative American ballet company and has been sponsored by the State Department of the United States on many of these engagements.

In October 1992, former American Ballet Theatre Principal Dancer Kevin McKenzie was appointed Artistic Director. Mr. McKenzie, steadfast in his vision of ABT as "American," is committed to maintaining the Company's vast repertoire, and to bringing the art of dance theater to the great stages of the world.

When American Ballet Theatre was launched in 1939, the aim was to develop a repertoire of the best ballets from the past and to encourage the creation of new works by gifted young choreographers, wherever they might be found. Under the direction of Lucia Chase and Oliver Smith from 1940 to 1980, the Company more than fulfilled that aim. The repertoire, perhaps unmatched in the history of ballet, includes all of the great full-length ballets of the nineteenth century, such as Swan Lake, The Sleeping Beauty and Giselle, the finest works from the early part of this century, such as Apollo, Les Sylphides, Jardin aux Lilas and Rodeo, and acclaimed contemporary masterpieces such as Airs, Push Comes to Shove and Duets. In acquiring such an extraordinary repertoire, ABT has commissioned works by all of the great choreographic geniuses of the 20th century: George Balanchine, Antony Tudor, Jerome Robbins, Agnes de Mille and Twyla Tharp, among others.

In keeping with the Company's long-standing commitment to bringing the finest in dance to the widest international audience, ABT has recently enjoyed triumphant successes with engagements in Tokyo, London, Paris, Madrid, Buenos Aires, Mexico City and Seoul.

In the Fall of 2000, American Ballet Theatre made its first visit to China, appearing in both Shanghai and Hong Kong. The Company also appeared in Taipei and Singapore for the first time. Over its 65-year history, the Company has appeared in a total of 126 cities in 42 countries. ABT has also appeared in all 50 states of the United States. In 2006, American Ballet Theatre was recognized by the United States Congress as America’s National Ballet Company.

Sunday, December 23, 2007



Reprise! Broadway’s Best
Special Event

The Odd Couple”
by Neil Simon
A staged reading starring
Martin Short Jason Alexander

Two Performances Only!
Friday, January 25 and Saturday, January 26

Wadsworth Theatre

Martin Short and Jason Alexander will star in a staged reading of Neil Simon’s “The Odd Couple,” for two performances only, January 25 and 26, at the Wadsworth Theatre. Short and Alexander are reunited for the first time since they appeared in the Los Angeles production of the hit musical “The Producers” and their appearance in what is perhaps Broadway’s best known comedy, marks one of the few times that two well known stars have appeared on a Los Angeles stage in the show.

Short and Alexander both have great experience playing Neil Simon - Short starred the Broadway musical of "The Goodbye Girl" and the Roundabout Theatre revival of "Little Me" while Alexander appeared on Broadway in Simon's "Broadway Bound," and in the very first Reprise! show "Promises, Promises."

“The Odd Couple” is a special event of the 2007-2008 season from Reprise! Broadway’s Best, which is headed by Mr. Alexander who is its artistic director

Tickets are on sale online at ticketmaster.com, by phone at 213-365-3500 or 714-740-7878, or by visiting a Ticketmaster outlets, and at the Wadsworth Box Office, Located on Wilshire Blvd, just west of the 405 freeway on the Veterans Administration grounds in West L.A. For more information visit reprise.org.

“The Odd Couple” originally opened on March 10, 1965. While that season began with “Fiddler on the Roof,” “The Odd Couple” seemed like a breath of fresh air compared to other plays of the time. Otis Guernsey in Best Plays wrote, “…. there are no dark, twisting emotional meanings … in a season of sick jokes and sick problem plays, ‘The Odd Couple’ brought a rosy flush of laughter to Broadway … [the play is] about the male animal torn between his urge for freedom and his need for domestic conformity.” This is the show that introduced the very neat and tidy news writer Felix Ungar, who thrown out by his wife, has become roommates with his poker buddy, the very slovenly, messy and also divorced sports writer Oscar Madison.

It was always thought that Neil Simon, who had previously scored a Broadway triumph the season before with “Barefoot in the Park,” took his inspiration from his comedy-writer brother Danny Simon, who became roommates with theatrical agent Roy Gerber after recent divorces.

James Robert Parish in his Mel Brooks biography “It’s Good to Be the King” noted that Simon also could have also observed at close range the three months that writer Speed Vogel lived as roommates with Mel Brooks, who was separated from his first wife. Later of course Simon took his brother Danny and his own family as the inspiration for “Brighton Beach Memoirs” and “Broadway Bound.”

During its original Broadway run of 966 performances, “The Odd Couple” won the Tony Awards for Best Play (1965), Best Director Mike Nichols and Best Actor Walter Matthau, who playing opposite Art Carney, fully established his career as a major American actor. The very successful film was made with Matthau repeating his stage triumph opposite Jack Lemmon, followed by an even more successful television series with Jack Klugman, who had originally replaced Matthau on Broadway, and Tony Randall. Immediately following the last season of the primetime series, two animated dogs – Spiffy, voiced by Frank Nelson and Fleabag, voiced by Paul Winchell -- were “The Oddball Couple,” seen on Saturday mornings for two years. Later a second TV series that paired Ron Glass and Desmond Wilson ran for 13 episodes.

In the mid-eighties and two seasons ago “The Odd Couple” went back to Broadway - first with Sally Struthers and Rita Moreno in the leads, and more recently with Nathan Lane and his “The Producers” co-star Matthew Broderick for eight completely sold out months.

The next to the last opening of the 1964-1965 season was “Flora, the Red Menace,” producer-director Harold Prince’s third Broadway musical of the season (he also produced “Fiddler on the Roof” and directed “Baker Street,” a short lived musical about Sherlock Holmes). “Flora” is the final attraction of the 2007-2007 Reprise! Broadway’s Best season May 6 to 18 (press opening May 7), which also includes “Li’l Abner” February 5 to 17, 2008 (press opening February 5).

“The Odd Couple” will have two readings Friday, January 25 at 8 pm and Saturday, January 26 at 8 pm at the Wadsworth Theatre, 11301 Wilshire Blvd. on the Veterans Administration Grounds. Prices are $40 to $95; premium seats are also available. Tickets may be purchased online at ticketmaster.com, by phone at 213-365-3500 or 714-740-7878, or by visiting a Ticketmaster outlets, and at the Wadsworth Box Office, Located on Wilshire Blvd, just west of the 405 freeway on the Veterans Administration grounds in West L.A.

About The Cast

Martin Short, born in Hamilton, Ontario, Canada, is a veteran of theatre in Canada and on Broadway. Short appeared in the Broadway productions of Neil Simon and Cy Coleman’s Little Me (Tony Award, Outer Critics Circle Award), Neil Simon’s The Goodbye Girl (Tony Award nomination, Theater World Award, Outer Critics Circle

Award), in the Encores! Series in Neil Simon’s Promises, Promises and in Fame Becomes Me. In Los Angeles, he appeared in Lawrence Kasdan’s production of John Patrick Shanley’s Four Dogs and a Bone and Mel Brooks’ The Producers. Short began his theatrical career in the Toronto production of Godspell.

In 1982, he joined the “SCTV Comedy Network” where his work garnered an Emmy Award. Short's ability as a comedic chameleon brought him to "Saturday Night Live,” where his standout performances included Ed Grimley, Jackie Rogers Jr., legendary songwriter Irving Cohen and lawyer Nathan Thurm. He co-wrote, produced and starred in three highly acclaimed television comedy specials: "Martin Short's Concert for the North Americas" (Ace Award); "I, Martin Short, Goes Hollywood" (Ace Award); and "The Show Formerly Known As The Martin Short Show” (Emmy Award). He co-starred in the miniseries “Merlin” (Emmy nomination) and “Alice in Wonderland” as the Mad Hatter. In the fall of 1999 he hosted the daily “The Martin Short Show” (nine Emmy nominations). From 2001-2003, Short co-wrote, produced and starred as star-interviewer extraordinaire Jiminy Glick in “Primetime Glick” (Emmy nomination).

Short made the jump to the big screen in 1986 with Three Amigos and Innerspace. Among his other films are Three Fugitives, The Big Picture, Clifford, Father of the Bride (1 & 2), Mars Attacks and Jiminy Glick in La La Wood. In 1994, Short was awarded Canada’s highest civilian honor, The Order of Canada for his contribution to Canadian culture and was inducted into the Canadian Walk of Fame in June 2000. Mr. Short worships and adores his wife Nancy and their children Katherine, Oliver and Henry.

Jason Alexander is probably best known for his 9 year, award–winning stint as George Costanza on the hit TV series, “Seinfeld”. However, those who know him only as George will be surprised to learn of his extensive background as an actor, director, producer and writer. Besides “Seinfeld” his television credits include: Bob Patterson (prod./co-creator); Listen Up (prod.); the TV films of Bye Bye Birdie, The Man Who Saved Christmas, Cinderella, and A Christmas Carol; guest appearances on “Newhart,” “Friends,” “Monk,” “Star Trek-Voyager,” “Malcolm in the Middle,” “Curb Your Enthusiasm” and multiple episodes of the animated series “Duckman,” “Aladdin,” “Dilbert” and “Dinosaurs.”

His film credits include: Pretty Woman; White Palace; North; Dunston Checks In; Love, Valor, Compassion; Rocky and Bullwinkle and Ira and Abby. Jason has starred on Broadway in the original companies of Merrily We Roll Along; The Rink; Broadway Bound; Accomplice; and Jerome Robbins’ Broadway for which he won the Tony, Outer Critics, and Drama Desk Awards as Best Actor in a Musical. He also authored the libretto of the show which received the Tony Award for Best Musical.

On the L.A. stage, Jason has starred in Give ‘Em Hell; Harry; Defiled; the long-running hit of The Producers with Martin Short and the very first Reprise! production, Promises, Promises. Jason has directed in every medium: Television (“Seinfeld,” “Remember WENN,” “Campus Ladies,” “Everybody Hates Chris”); Film (For Better or Worse and Just Looking) and Stage (The God of Hell at the Geffen; Sunday In the Park With George at Reprise! and countless benefits). Jason produced the films, Agent Cody Banks and its sequel as well as the TV special “Ultimate Trek.” Recently, Jason took over the role of Artistic Director of Reprise! He has also authored the children’s book, Dad, Are You the Tooth Fairy? He has won the title of Parlour Magician of the Year at the prestigious Magic Castle and he is a noted player in the celebrity poker circuit. Jason resides in L.A. with his wife Daena and their children, Gabriel and Noah.

Saturday, December 22, 2007



INTERNATIONALLY ACCLAIMED SENSATION LUIS BRAVO’S FOREVER TANGO WILL SIZZLE WILSHIRE THEATRE
FOR 4 PERFORMANCES
ONLY!

.Luis Bravo’s FOREVER TANGO, the internationally celebrated entertainment event that has played to great acclaim in Europe, Canada and throughout the United States, and most recently enjoyed its third run on Broadway, will beguile and ignite Los Angeles audiences at Wilshire Theatre Beverly HIlls, for 4 performances only. The performance schedule is Friday, February 29 at 8:00pm, and Saturday, March 1 at 2:00pm and 8:00pm, and Sunday, March 2 at 3:00pm.

Tickets for FOREVER TANGO are now on sale and can be purchased at the Wilshire Theatre Box Office, 8440 Wilshire Blvd., online at wtbh.org, and by phone at 323-655-0111. Tickets can also be purchased through Ticketmaster - online at ticketmaster.com, by phone at Ticketmaster at 213-365-3500, and all Ticketmaster outlets.

“Intoxicating”
“Superbly theatrical”
“The most magnificent, romantic, exciting evening you can ever spend!”

Sensuous and sophisticated, the tango inhabits a world where everything can be said with the flick of a leg, the tug of a hand, the tap of a foot and the arch of an eyebrow. Created and directed by Luis Bravo, FOREVER TANGO was voted Best Touring Musical by Bay Area Theatre Critics Circle in San Francisco where it played an unprecedented 92 weeks at the Theatre on the Square and has returned season after season. Truly an international event, FOREVER TANGO was also awarded the coveted Simpatia Prize at the 1996 Spoleto Festival in Italy.

FOREVER TANGO features fourteen world-class tango dancers, one vocalist and an on-stage eleven piece orchestra, including the instrument of the tango, the bandoneon, in an evening that celebrates the passionate music and dance of Argentina. The dances, performed to original and traditional music, are the result of collaboration between each couple and director/creator Bravo. “The tango is a feeling that you dance,” says Bravo, “a story you tell in three minutes. It’s passionate, it’s melancholic. It’s tender, violent. You dance it with somebody – but it is so internal, you dance it by yourself. More than just a dance, the tango is music, a drama, a culture, a way of life.”

FOREVER TANGO tells the story of the birth of the tango in 19th century Argentina where thousands of men, having abandoned a disintegrating Europe to emigrate to South America, found themselves in the crowded abattoirs (packing houses), the bars and street corners of the arrabales (outlying barrios) and in the enramadas (brothels). The tango was born of this lonely and violent existence. Originally shunned by Argentina society as indecent, the tango became an overnight craze in upper-class Paris when Argentine intellectuals taught it when traveling abroad. The tango quickly spread across Europe and to America, and was eventually re-imported home to Argentina society, though not unchanged. Born in the brothels and bordellos of Buenos Aires, the tango may be Argentina’s best known export.

Creator/director of FOREVER TANGO, Luis Bravo is a world-class cellist who has performed with major symphonies throughout the world. His distinguished credits include appearances with the Los Angeles Philharmonic, the Colon Theatre Opera House, the Buenos Aires Philharmonic and other prestigious ensembles.

FOREVER TANGO’s design team includes Argemira Affonso (Costumes), Luis Bravo (Lighting), Mike Miller (Sound), and Jean-Luc Don Vito (Make-up). Lisandro Adrovar serves as Musical Director/Arranger and composed some of the music in the show.

FOREVER TANGO opened on Broadway June of 1997 for what was expected to be an eight-week engagement, ran for 14 months and has since been back to New York on Broadway on two separate occasions. The New York Times called FOREVER TANGO, “A must-see!” And USA Today said, “Forever Tango shows that the style is more than steamy – it’s smart, even funny … a sensuous, seductive, pleasure.” The New York Daily News raved that the show was, “an evening of sheer pleasure! Sensual, elegant, dazzling!” And the Associated Press declared it to be, “the most theatrical show on Broadway!” These sizzling reviews and huge demand for tickets forced the run to be extended again and again.

FOREVER TANGO will be distributed to public television stations starting on March 1, 2008. Check local listings for broadcast date and time information. In addition, The Forever Tango DVD and CD will be released into retail starting in March 2008 and will also be available through major on-line retailers. The DVD will contain the 60 minute program to be broadcast by public television stations and will also contain bonus features including rehearsals, auditions and backstage footage. The CD and DVD can also be found at DPTV Media www.dptvmedia.org

Tickets for the Los Angeles engagement of FOREVER TANGO at the Wilshire Theatre Beverly Hills are priced at $30-$100, and are currently on sale at the Wilshire Theatre Box Office, 8440 Wilshire Blvd. and by phone at 323-655-0111. Tickets can also be purchased through Ticketmaster - online at ticketmaster.com, by phone at Ticketmaster at 213-365-3500, and all Ticketmaster outlets.

PHOTO CAPTIONS:

Sandra_Gabriel: "A Scene from Forever Tango"
Photo Credit: Forever Tango

Cristian Cisneros:"A Scene from Forever Tango"
Photo Credit: Forever Tango

Leonardo_Barrionuevo:"A Scene from Forever Tango"
Photo Credit: Forever Tango


More information is available online at www.ForeverTango.us and www.wtbh.org