Sunday, December 23, 2007



Reprise! Broadway’s Best
Special Event

The Odd Couple”
by Neil Simon
A staged reading starring
Martin Short Jason Alexander

Two Performances Only!
Friday, January 25 and Saturday, January 26

Wadsworth Theatre

Martin Short and Jason Alexander will star in a staged reading of Neil Simon’s “The Odd Couple,” for two performances only, January 25 and 26, at the Wadsworth Theatre. Short and Alexander are reunited for the first time since they appeared in the Los Angeles production of the hit musical “The Producers” and their appearance in what is perhaps Broadway’s best known comedy, marks one of the few times that two well known stars have appeared on a Los Angeles stage in the show.

Short and Alexander both have great experience playing Neil Simon - Short starred the Broadway musical of "The Goodbye Girl" and the Roundabout Theatre revival of "Little Me" while Alexander appeared on Broadway in Simon's "Broadway Bound," and in the very first Reprise! show "Promises, Promises."

“The Odd Couple” is a special event of the 2007-2008 season from Reprise! Broadway’s Best, which is headed by Mr. Alexander who is its artistic director

Tickets are on sale online at ticketmaster.com, by phone at 213-365-3500 or 714-740-7878, or by visiting a Ticketmaster outlets, and at the Wadsworth Box Office, Located on Wilshire Blvd, just west of the 405 freeway on the Veterans Administration grounds in West L.A. For more information visit reprise.org.

“The Odd Couple” originally opened on March 10, 1965. While that season began with “Fiddler on the Roof,” “The Odd Couple” seemed like a breath of fresh air compared to other plays of the time. Otis Guernsey in Best Plays wrote, “…. there are no dark, twisting emotional meanings … in a season of sick jokes and sick problem plays, ‘The Odd Couple’ brought a rosy flush of laughter to Broadway … [the play is] about the male animal torn between his urge for freedom and his need for domestic conformity.” This is the show that introduced the very neat and tidy news writer Felix Ungar, who thrown out by his wife, has become roommates with his poker buddy, the very slovenly, messy and also divorced sports writer Oscar Madison.

It was always thought that Neil Simon, who had previously scored a Broadway triumph the season before with “Barefoot in the Park,” took his inspiration from his comedy-writer brother Danny Simon, who became roommates with theatrical agent Roy Gerber after recent divorces.

James Robert Parish in his Mel Brooks biography “It’s Good to Be the King” noted that Simon also could have also observed at close range the three months that writer Speed Vogel lived as roommates with Mel Brooks, who was separated from his first wife. Later of course Simon took his brother Danny and his own family as the inspiration for “Brighton Beach Memoirs” and “Broadway Bound.”

During its original Broadway run of 966 performances, “The Odd Couple” won the Tony Awards for Best Play (1965), Best Director Mike Nichols and Best Actor Walter Matthau, who playing opposite Art Carney, fully established his career as a major American actor. The very successful film was made with Matthau repeating his stage triumph opposite Jack Lemmon, followed by an even more successful television series with Jack Klugman, who had originally replaced Matthau on Broadway, and Tony Randall. Immediately following the last season of the primetime series, two animated dogs – Spiffy, voiced by Frank Nelson and Fleabag, voiced by Paul Winchell -- were “The Oddball Couple,” seen on Saturday mornings for two years. Later a second TV series that paired Ron Glass and Desmond Wilson ran for 13 episodes.

In the mid-eighties and two seasons ago “The Odd Couple” went back to Broadway - first with Sally Struthers and Rita Moreno in the leads, and more recently with Nathan Lane and his “The Producers” co-star Matthew Broderick for eight completely sold out months.

The next to the last opening of the 1964-1965 season was “Flora, the Red Menace,” producer-director Harold Prince’s third Broadway musical of the season (he also produced “Fiddler on the Roof” and directed “Baker Street,” a short lived musical about Sherlock Holmes). “Flora” is the final attraction of the 2007-2007 Reprise! Broadway’s Best season May 6 to 18 (press opening May 7), which also includes “Li’l Abner” February 5 to 17, 2008 (press opening February 5).

“The Odd Couple” will have two readings Friday, January 25 at 8 pm and Saturday, January 26 at 8 pm at the Wadsworth Theatre, 11301 Wilshire Blvd. on the Veterans Administration Grounds. Prices are $40 to $95; premium seats are also available. Tickets may be purchased online at ticketmaster.com, by phone at 213-365-3500 or 714-740-7878, or by visiting a Ticketmaster outlets, and at the Wadsworth Box Office, Located on Wilshire Blvd, just west of the 405 freeway on the Veterans Administration grounds in West L.A.

About The Cast

Martin Short, born in Hamilton, Ontario, Canada, is a veteran of theatre in Canada and on Broadway. Short appeared in the Broadway productions of Neil Simon and Cy Coleman’s Little Me (Tony Award, Outer Critics Circle Award), Neil Simon’s The Goodbye Girl (Tony Award nomination, Theater World Award, Outer Critics Circle

Award), in the Encores! Series in Neil Simon’s Promises, Promises and in Fame Becomes Me. In Los Angeles, he appeared in Lawrence Kasdan’s production of John Patrick Shanley’s Four Dogs and a Bone and Mel Brooks’ The Producers. Short began his theatrical career in the Toronto production of Godspell.

In 1982, he joined the “SCTV Comedy Network” where his work garnered an Emmy Award. Short's ability as a comedic chameleon brought him to "Saturday Night Live,” where his standout performances included Ed Grimley, Jackie Rogers Jr., legendary songwriter Irving Cohen and lawyer Nathan Thurm. He co-wrote, produced and starred in three highly acclaimed television comedy specials: "Martin Short's Concert for the North Americas" (Ace Award); "I, Martin Short, Goes Hollywood" (Ace Award); and "The Show Formerly Known As The Martin Short Show” (Emmy Award). He co-starred in the miniseries “Merlin” (Emmy nomination) and “Alice in Wonderland” as the Mad Hatter. In the fall of 1999 he hosted the daily “The Martin Short Show” (nine Emmy nominations). From 2001-2003, Short co-wrote, produced and starred as star-interviewer extraordinaire Jiminy Glick in “Primetime Glick” (Emmy nomination).

Short made the jump to the big screen in 1986 with Three Amigos and Innerspace. Among his other films are Three Fugitives, The Big Picture, Clifford, Father of the Bride (1 & 2), Mars Attacks and Jiminy Glick in La La Wood. In 1994, Short was awarded Canada’s highest civilian honor, The Order of Canada for his contribution to Canadian culture and was inducted into the Canadian Walk of Fame in June 2000. Mr. Short worships and adores his wife Nancy and their children Katherine, Oliver and Henry.

Jason Alexander is probably best known for his 9 year, award–winning stint as George Costanza on the hit TV series, “Seinfeld”. However, those who know him only as George will be surprised to learn of his extensive background as an actor, director, producer and writer. Besides “Seinfeld” his television credits include: Bob Patterson (prod./co-creator); Listen Up (prod.); the TV films of Bye Bye Birdie, The Man Who Saved Christmas, Cinderella, and A Christmas Carol; guest appearances on “Newhart,” “Friends,” “Monk,” “Star Trek-Voyager,” “Malcolm in the Middle,” “Curb Your Enthusiasm” and multiple episodes of the animated series “Duckman,” “Aladdin,” “Dilbert” and “Dinosaurs.”

His film credits include: Pretty Woman; White Palace; North; Dunston Checks In; Love, Valor, Compassion; Rocky and Bullwinkle and Ira and Abby. Jason has starred on Broadway in the original companies of Merrily We Roll Along; The Rink; Broadway Bound; Accomplice; and Jerome Robbins’ Broadway for which he won the Tony, Outer Critics, and Drama Desk Awards as Best Actor in a Musical. He also authored the libretto of the show which received the Tony Award for Best Musical.

On the L.A. stage, Jason has starred in Give ‘Em Hell; Harry; Defiled; the long-running hit of The Producers with Martin Short and the very first Reprise! production, Promises, Promises. Jason has directed in every medium: Television (“Seinfeld,” “Remember WENN,” “Campus Ladies,” “Everybody Hates Chris”); Film (For Better or Worse and Just Looking) and Stage (The God of Hell at the Geffen; Sunday In the Park With George at Reprise! and countless benefits). Jason produced the films, Agent Cody Banks and its sequel as well as the TV special “Ultimate Trek.” Recently, Jason took over the role of Artistic Director of Reprise! He has also authored the children’s book, Dad, Are You the Tooth Fairy? He has won the title of Parlour Magician of the Year at the prestigious Magic Castle and he is a noted player in the celebrity poker circuit. Jason resides in L.A. with his wife Daena and their children, Gabriel and Noah.

Saturday, December 22, 2007



INTERNATIONALLY ACCLAIMED SENSATION LUIS BRAVO’S FOREVER TANGO WILL SIZZLE WILSHIRE THEATRE
FOR 4 PERFORMANCES
ONLY!

.Luis Bravo’s FOREVER TANGO, the internationally celebrated entertainment event that has played to great acclaim in Europe, Canada and throughout the United States, and most recently enjoyed its third run on Broadway, will beguile and ignite Los Angeles audiences at Wilshire Theatre Beverly HIlls, for 4 performances only. The performance schedule is Friday, February 29 at 8:00pm, and Saturday, March 1 at 2:00pm and 8:00pm, and Sunday, March 2 at 3:00pm.

Tickets for FOREVER TANGO are now on sale and can be purchased at the Wilshire Theatre Box Office, 8440 Wilshire Blvd., online at wtbh.org, and by phone at 323-655-0111. Tickets can also be purchased through Ticketmaster - online at ticketmaster.com, by phone at Ticketmaster at 213-365-3500, and all Ticketmaster outlets.

“Intoxicating”
“Superbly theatrical”
“The most magnificent, romantic, exciting evening you can ever spend!”

Sensuous and sophisticated, the tango inhabits a world where everything can be said with the flick of a leg, the tug of a hand, the tap of a foot and the arch of an eyebrow. Created and directed by Luis Bravo, FOREVER TANGO was voted Best Touring Musical by Bay Area Theatre Critics Circle in San Francisco where it played an unprecedented 92 weeks at the Theatre on the Square and has returned season after season. Truly an international event, FOREVER TANGO was also awarded the coveted Simpatia Prize at the 1996 Spoleto Festival in Italy.

FOREVER TANGO features fourteen world-class tango dancers, one vocalist and an on-stage eleven piece orchestra, including the instrument of the tango, the bandoneon, in an evening that celebrates the passionate music and dance of Argentina. The dances, performed to original and traditional music, are the result of collaboration between each couple and director/creator Bravo. “The tango is a feeling that you dance,” says Bravo, “a story you tell in three minutes. It’s passionate, it’s melancholic. It’s tender, violent. You dance it with somebody – but it is so internal, you dance it by yourself. More than just a dance, the tango is music, a drama, a culture, a way of life.”

FOREVER TANGO tells the story of the birth of the tango in 19th century Argentina where thousands of men, having abandoned a disintegrating Europe to emigrate to South America, found themselves in the crowded abattoirs (packing houses), the bars and street corners of the arrabales (outlying barrios) and in the enramadas (brothels). The tango was born of this lonely and violent existence. Originally shunned by Argentina society as indecent, the tango became an overnight craze in upper-class Paris when Argentine intellectuals taught it when traveling abroad. The tango quickly spread across Europe and to America, and was eventually re-imported home to Argentina society, though not unchanged. Born in the brothels and bordellos of Buenos Aires, the tango may be Argentina’s best known export.

Creator/director of FOREVER TANGO, Luis Bravo is a world-class cellist who has performed with major symphonies throughout the world. His distinguished credits include appearances with the Los Angeles Philharmonic, the Colon Theatre Opera House, the Buenos Aires Philharmonic and other prestigious ensembles.

FOREVER TANGO’s design team includes Argemira Affonso (Costumes), Luis Bravo (Lighting), Mike Miller (Sound), and Jean-Luc Don Vito (Make-up). Lisandro Adrovar serves as Musical Director/Arranger and composed some of the music in the show.

FOREVER TANGO opened on Broadway June of 1997 for what was expected to be an eight-week engagement, ran for 14 months and has since been back to New York on Broadway on two separate occasions. The New York Times called FOREVER TANGO, “A must-see!” And USA Today said, “Forever Tango shows that the style is more than steamy – it’s smart, even funny … a sensuous, seductive, pleasure.” The New York Daily News raved that the show was, “an evening of sheer pleasure! Sensual, elegant, dazzling!” And the Associated Press declared it to be, “the most theatrical show on Broadway!” These sizzling reviews and huge demand for tickets forced the run to be extended again and again.

FOREVER TANGO will be distributed to public television stations starting on March 1, 2008. Check local listings for broadcast date and time information. In addition, The Forever Tango DVD and CD will be released into retail starting in March 2008 and will also be available through major on-line retailers. The DVD will contain the 60 minute program to be broadcast by public television stations and will also contain bonus features including rehearsals, auditions and backstage footage. The CD and DVD can also be found at DPTV Media www.dptvmedia.org

Tickets for the Los Angeles engagement of FOREVER TANGO at the Wilshire Theatre Beverly Hills are priced at $30-$100, and are currently on sale at the Wilshire Theatre Box Office, 8440 Wilshire Blvd. and by phone at 323-655-0111. Tickets can also be purchased through Ticketmaster - online at ticketmaster.com, by phone at Ticketmaster at 213-365-3500, and all Ticketmaster outlets.

PHOTO CAPTIONS:

Sandra_Gabriel: "A Scene from Forever Tango"
Photo Credit: Forever Tango

Cristian Cisneros:"A Scene from Forever Tango"
Photo Credit: Forever Tango

Leonardo_Barrionuevo:"A Scene from Forever Tango"
Photo Credit: Forever Tango


More information is available online at www.ForeverTango.us and www.wtbh.org



Friday, December 21, 2007



Wadsworth Theatre
RICHMARK Entertainment
REEL TALK with Stephen Farber
10 memorable evenings of exciting new films and conversations
10 Mondays at 7:00pm, March 10 – May 19, 2008 (No Screening Monday, April 28)

Stephen Farber, one of the country’s leading film critics and historians, will continue his film series Reel Talk with Stephen Farber at the Wadsworth Theatre for 10 Monday nights beginning March 10th. Reel Talk with Stephen Farber is presented in partnership with RICHMARK Entertainment and Landmark Theatres.

Unlike any other preview series, Reel Talk with Stephen Farber allows the film going public to be the first to sample some of the most exciting movies of 2008. This past fall, Reel Talk members got an early look at several of the hottest films currently running, including “The Kite Runner”, “Juno”, “The Diving Bell and the Butterfly”, “The Savages”, and “Sweeney Todd” along with films that were the recipients of prestigious year-end critics’ prizes. The tradition continues this coming year, with the season’s most provocative movies followed by revealing discussions with top actors and filmmakers after the screenings. Previous Reel Talk guests have included Forest Whitaker, David Duchovny, Laura Linney, Andy Garcia, Javier Bardem, Claire Danes, as well as master directors Sydney Pollack, John Singleton, Bill Condon, and Mike Leigh, not to mention legendary producer Richard Zanuck.

Farber, who moderates each program, is one of the originators of this popular preview screening series, and has been doing it for more than 25 years now. He assembles the series himself - working with the studios to supply the prints and with the filmmakers themselves to be the guests. For the film going public, this effort provides a connection to the movie industry and to the film itself, that is just not available, much less with this kind of authority, just about anywhere else.

Stephen Farber is currently the film critic and contributing editor for Movieline’s Hollywood Life magazine and a regular contributor to The Hollywood Reporter, The New York Times and The Los Angeles Times. Farber has also written reviews and articles on film for Esquire, New York, New West, Harper's Bazaar, Premiere, Film Comment, and other national publications. He has interviewed hundreds of top actors, writers, directors, and producers for these newspapers and magazines.

Farber also taught a similar "Sneak Preview" class for UCLA Extension. He has also lectured on film at several other American universities, at the J. Paul Getty Museum and the Skirball Cultural Center in Los Angeles, at the Swedish Film Institute in Stockholm, and the Norwegian Broadcasting Corporation in Oslo. He also lectured throughout Australia and New Zealand in a program sponsored by the Australian Film and Television School and the New Zealand Film Commission.

Farber produced three episodes of the Arts & Entertainment network's acclaimed "Biography" series in conjunction with Peter Jones Productions about Anthony Perkins, Spencer Tracy and Roman Polanski. And he has written several acclaimed books on film; The Movie Rating Game (1972, Public Affairs Press), Hollywood Dynasties (1984, Delilah/Putnam), Outrageous Conduct: Art, Ego, and the Twilight Zone Case (1988, Arbor House/Morrow), and Hollywood on the Couch (1993, Morrow).

Sunday, December 16, 2007



THE ORANGE CURTAIN THEATRE PRESENTS

HELLO AND GOODBYE
Written by Athol Fugard and Directed by Marla-Gam Hudson

Hester, unrecognized and unwelcomed, barges in on her brother Johnnie after 12 years for a quick hello and goodbye. They churn through the once-promising past to try to comprehend their bleak present. She searches for the concealed or imaginary inheritance that can truly make her free. The brother and sister confront family animosities and recriminations; memories and guilt; responsibilities and lies; and feelings of despair.

Starring: Sherryl Wynne of Vista as Hester and Anthony Yuro of San Clemente as Johnnie.

Friday and Saturday –January 11, 12, 18, 19, 25 and 26 at 8:00 p.m.
Sunday – January 13, 20 and 27 at 3:00 p.m.

The Orange Curtain Theatre
1776 El Camino Real
San Juan Capistrano


Photo: Sherryl Wynne of Vista as Hester and Anthony Yuro of San Clemente as Johnnie


Saturday, December 15, 2007

LA MIRADA THEATRE FOR THE PERFORMING ARTS &

MC COY RIGBY ENTERTAINMENT

announce that acclaimed Emmy Award-winning actress

MICHAEL LEARNED
will star as Miss Daisy in
the Third Production of their 2007/2008 Season!

DRIVING MISS DAISY

Written by Alfred Uhry
Directed by Brian Kite

Limited Engagement begins February 1, 2008
at La Mirada Theatre for the Performing Arts!

LA MIRADA THEATRE FOR THE PERFORMING ARTS & MC COY RIGBY ENTERTAINMENT are proud to announce that acclaimed Broadway actress and Film & Emmy Award-winning TV star Michael Learned (“The Waltons”) will be starring in the third production of their 2007-2008 season, DRIVING MISS DAISY, written by Alfred Uhry and directed by Brian Kite (Proof). DRIVING MISS DAISY will begin performances on Friday, February 1 (with a press opening on Saturday, February 2) and will run through Sunday, February 17 at La Mirada Theatre for the Performing Arts, 14900 La Mirada Boulevard in La Mirada, near the intersection of Rosecrans Avenue.

MICHAEL LEARNED (Daisy Werthan) is a four-time Emmy award-winning actress, three for her work as Olivia Walton on the acclaimed TV series, "The Waltons," and one for her role as Mary Benjamin in her own series "Nurse.” She is also a three-time Golden Globe nominee. On stage she most recently co-starred with Tom Bosley in the national tour of On Golden Pond; and also in Lewis Black's One Slight Hitch at The Falcon Theatre. Other theatre appearances include Elizabeth the Queen at the Folger Shakespeare Library, Edward Albee's All Over at The Gramercy Theatre and the McCarter Theatre, on Broadway in Gore Vidal's The Best Man and Wendy Wasserstein's The Sisters Rosenzweig. West Coast premieres include Woman in Mind and Hapgood both for American Conservatory Theatre.
Ms. Learned's involvement as a leading lady with ACT dates back to 1967. In Los Angeles she has appeared at the Ahmanson in Mary Stuart and Picnic, at The Mark Taper in A Month in the Country and at the Geffen in Looking for Normal. She has toured in A.R. Gurney's Love Letters and Edward Albee's Three Tall Women. Michael premiered in Arthur Miller's The Ride Down Mt. Morgan at Williamstown Theatre Festival. The eldest of six sisters, Ms. Learned spent her first decade on her family's farm in Connecticut. When she was eleven, Ms. Learned moved to Austria where her father worked for the U.S. State Department. While attending boarding school in England, she discovered the theatre and made it her life's work. She trained at San Francisco's American Conservatory Theatre where she frequently appeared with her first husband, actor Peter Donat. Ms. Learned has appeared in the films "For the Love of Mary," "Life During Wartime," Dragon: The Bruce Lee Story" and "Power," directed by Sidney Lumet. Television appearances include "Law and Order: SVU," "Living Dolls," “Profiler," "A Father for Brittany," "A Walton Easter," "A Walton Wedding," "Murder in New Hampshire," "Roots: The Gift" and "All My Sons," to name a few.

DRIVING MISS DAISY will begin performances on Friday, February 1 (with a press opening on Saturday, February 2) and run for three weeks through Sunday, February 17. Performances will be Tuesday through Thursdays at 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 2 p.m. and 8 p.m. and Sundays at 2 p.m. and 7 p.m. Tickets are $45 and $37.50 and can be purchased at La Mirada Theatre’s Web site, lamiradatheatre.com. Student, Senior, Children and group discounts are available. For more information, call the La Mirada Theatre Box Office at (562) 944-9801 or (714) 994-6310.

LA MIRADA THEATRE FOR THE PERFORMING ARTS, now in its 30th year, has been hailed by the Los Angeles Times as "one of the best Broadway-style houses in Southern California." This beautiful state-of-the-art theatre has been producing quality productions for its Southern California audiences since 1977. The theatre has produced several National Tours and is the recipient of many accolades including Ovation and Emmy Awards and Tony Award nominations. The theatre is located at 14900 La Mirada Boulevard in La Mirada, near the intersection of Rosecrans Avenue where the 91 and 5 freeways meet. Parking is theatre-adjacent and free. For further information 562-944-9801or visit www.lamiradatheatre.com

McCOY RIGBY ENTERTAINMENT combines the talents of musical theatre star Cathy Rigby with Tom McCoy's extensive production and theatrical experience and has become one of the nation's premier theatrical production companies. Credits include Tony-nominated Broadway shows, long-running national tours, multiple-award-winning Los Angeles stage productions, and hit TV specials.

The number of major theatrical awards garnered by McCoy Rigby Entertainment includes 3 Ovation Awards, 25 Drama-Logue Awards, 3 Backstage Garland Awards and 3 Tony Award nominations, 20 Ovation nominations and 8 NAACP award nominations for the touring production of "Jesus Christ Superstar." In addition, the Academy of Television Arts & Sciences awarded McCoy Rigby Entertainment an Emmy for Best Scene Design as part of four nominations for the A&E network production of "Peter Pan." www.mccoyrigby.com

Friday, December 14, 2007


TONY® AND EMMY AWARD®-WINNER

TO PERFORM AT KODAK THEATRE
AT HOLLYWOOD & HIGHLAND CENTER
ONE PERFORMANCE ONLY!
SATURDAY, FEBRUARY 2 at 8 pm

Broadway’s master songman, Mandy Patinkin, accompanied by Paul Ford on piano, will bring his critically acclaimed theatre concert to Kodak Theatre at Hollywood & Highland Center for one performance only on Saturday, February 2 at 8 pm.

Tony® and Emmy Award®-winner Mandy Patinkin has an extensive list of theatre credits that include Broadway, Off-Broadway and regional theater. He won a Tony Award for his 1980 Broadway debut as Che in Andrew Lloyd Webber’s Evita and was again nominated in 1984 for his starring role in the Pulitzer Prize winning musical Sunday in the Park With George.

He returned to Broadway in the Tony Award®-winning musical The Secret Garden (1991), appeared as Marvin in Falsettos (1992) and in 1997 played a sold-out engagement of his one-man concert, Mandy Patinkin in Concert, with all profits benefiting five charitable organizations. Mandy’s other solo concerts, Celebrating Sondheim and Mamaloshen have been presented on Broadway, Off-Broadway and have toured the United States. His other stage credits include The Wild Party (Tony® and Drama Desk nominations), The Winter’s Tale, The Knife (Drama Desk nomination), Leave it to Beaver is Dead, Rebel Women, Hamlet, Trelawney of the ‘Wells,” The Shadow Box and Henry IV, Part I.

Mandy won a 1995 Emmy Award® for his critically acclaimed performance in the CBS series ”Chicago Hope,” and recently starred in the CBS series “Criminal Minds” as FBI profiler Jason Gideon and in the Showtime Original Series “Dead Like Me” as the reaper Rube Sofer.

His other television appearances include the role of Kenneth Duberstein in the Showtime film “Strange Justice,” playing Quasimodo opposite Richard Harris in the TNT film presentation of “The Hunchback,” and a film version of Arthur Miller's “Broken Glass” for BBC/WGBH-Boston.

Feature film credits include: Everyone’s Hero, Choking Man, Pinero, Elmo In Grouchland, Men with Guns, Lulu on the Bridge, The Princess Bride, Yentl, The Music of Chance, Daniel, Ragtime, Impromptu, The Doctor, Alien Nation, Dick Tracy, The House on Carroll Street, True Colors, Maxie, and Squanto: Indian Warrior.

Mr. Patinkin’s live performances have received wide critical acclaim. Pamela Sommers of the Washington Post wrote, “The most arresting thing about Patinkin is the conversational, often impassioned quality of his singing…you find yourself listening like you’ve never listened before.” Clive Barnes of the New York Post called Mandy “the greatest entertainer on Broadway today – period.” In the New York Daily News, Howard Kissel called his performance, “the most exciting time I’ve had in the theatre in ages. He could single-handedly revive the American musical theatre.” And the London Evening Standard called him, “a master entertainer of a type once thought to be extinct.”

In 1989, Mandy began his concert career at Joseph Papp's Public Theater. This coincided with the release of his first solo album entitled Mandy Patinkin. Since then he has toured extensively, appearing to sold-out audiences across the United States, Canada, London and Australia, performing songs from writers including Stephen Sondheim, Rodgers and Hammerstein, Irving Berlin, Randy Newman, Adam Guettel and Harry Chapin, among others. In 1990 he released his second solo album entitled Mandy Patinkin In Concert: Dress Casual on CBS Records.

His 1994 recording, Experiment, on the Nonesuch label, features songs from nine decades of popular music from Irving Berlin to Alan Menken. Also recorded on the Nonesuch label is Oscar & Steve and Leonard Bernstein's New York. In 1998 he debuted his most personal project, Mamaloshen, a collection of traditional, classic and contemporary songs sung entirely in Yiddish. The recording of Mamaloshen won the Deutschen Schallplattenpreis (Germany’s equivalent of the Grammy Award). In 2001, Nonesuch Records released Kidults, a collection of beloved songs, designed – as the title suggests – for the kid in every adult. And, in 2002, Nonesuch Records released Mandy Patinkin Sings Sondheim, a figurative journey through Sondheim’s music and lyrics.

Paul Ford was the original pianist for the Broadway productions of Stephen Sondheim’s Passion, Into the Woods, Sunday in the Park with George, the Off-Broadway production of Assassins, and most recently the revival of Pacific Overtures and the Tony award winning revival of Assassins. His other Broadway credits include Curtains, 110 in the Shade (revival), Tom Sawyer, High Society, The Rink, Rags, A Day in Hollywood/A Night in the Ukraine, The Secret Garden and Falsettos.

Mr. Ford was the pianist for a number of concerts under the baton of Paul Gemignani including: the acclaimed Follies concert at Lincoln Center; the Carnegie Hall concert performances of A Sondheim Tribute, Anyone Can Whistle and South Pacific with Reba McEntire; A Little Night Music with the Philadelphia Symphony; Gypsy with Patti LuPone and the Chicago Symphony; and episodes of PBS’ “My Favorite Broadway.” He accompanied Mr. Patinkin in Mandy Patinkin: Dress Casual at the Public Theater and on Broadway, both the Broadway and Off-Broadway engagements of Mamaloshen, and continues to work with him on all of his recordings and national/international tours.

About Kodak Theatre -- Kodak Theatre is the crown jewel of the Hollywood & Highland Center located in the heart of historic Hollywood. The 3,400 seat theatre opened in November 2001 and soon thereafter became known to more than one billion people across the globe as the first permanent home of the Academy Awards®. As a first class live entertainment venue, Kodak Theatre has hosted a range of prestigious artists and events including Alicia Keys, Celine Dion, Prince, Elvis Costello, Barry Manilow, Stevie Wonder, Harry Connick, Jr., Melissa Etheridge, Dixie Chicks, Tyler Perry, American Ballet Theatre and various touring Broadway productions. Notable television and awards events at Kodak Theatre have included the American Idol finals, AFI Lifetime Achievement Awards to Tom Hanks, Meryl Streep, and George Lucas, Latin GRAMMY® Awards, ESPY Awards and BET Awards.

Kodak Theatre is operated by TheatreDreams. TheatreDreams and its affiliated companies are led by Tony Award®-winning principals Lawrence J. Wilker, Jill Wilker, Joan A. Alper, William W. Becker and Michael Alper. Formed in 2001, TheatreDreams has co-produced three hit Broadway productions: Urinetown: The Musical, winner of three 2002 Tony Awards®; Stephen Sondheim’s Into the Woods starring Vanessa Williams and winner of the 2002 Tony Award® for Best Musical Revival; and Neil Simon’s The Dinner Party starring Henry Winkler and the late John Ritter.

This concert event is present by TheatreDreams and Kodak Theatre. Tickets, priced at $65, are available at the Kodak Theatre Box Office, 6801 Hollywood Boulevard, through KodakTheatre.com, by phone at 213-480-3232, and at all Ticketmaster outlets. For groups of 15 or more call 323-308-6333.



Thursday, December 13, 2007




The Magic Flute
Music by Wolfgang Amadeus Mozart
Libretto by Emanuel Schikaneder

Four performances only – January 23, 27, 31, February 2, 2008
Segerstrom Hall, Orange County Performing Artscenter
Nicole Cabell as Pamina
Chad Shelton as Tamino
Luz del Alba Rubio as Queen of the Night
Rod Gilfry as Papageno
Morris Robinson as Sarastro

Conducted by John DeMain
Directed by Dr. Michael Hampe

Costumes designed by Zandra Rhodes for San Diego Opera
Sets designed by Dr. Michael Hampe and Alberto Andreis for San Diego Opera Sets for The Magic Flute executed by San Diego Opera
Scenic Studio Costumes for The Magic Flute executed by San Diego Opera Costume Shop

Opera Pacific presents Mozart’s The Magic Flute, led by Artistic Director and Principal Conductor John DeMain, at Segerstrom Hall of Orange County Performing Artscenter. The production will be conducted by John DeMain, and directed by Dr. Michael Hampe. Dr. Michael Hampe and Alberto Andreis designed the sets for the San Diego Opera. Costumes are executed by San Diego Opera Costume Shop and designed by Zandra Rhodes.

Fantasy and delight reign supreme in this eye-popping, colorful production of Mozart’s masterpiece! Visually and aurally stunning, this Magic Flute leads the audience on a thrilling journey through the darkest night (always illuminated with sparkling stars) into a dawn of daylight and love. Wonderful arias – including the Queen of the Night’s gasp-inducing coloratura showcase – highlight the enchanting proceedings. Sung in German with English translation projected above the stage.

Opera Pacific continues its 22nd season with this production of Mozart’s final opera. The Magic Flute opened in 1791. The opera was produced as a commission for librettist Emmanuel Schikaneder’s failing theater company, Theater auf der Wieden. The critical success of the original production (which also starred Schikaneder as Papageno) brought new life to the theater and simultaneously reached out to a new audience.

Noted for its fairy tale influences and classic symbols of good versus evil, The Magic Flute follows the love story of the young prince Tamino (Chad Shelton) and princess Pamina (Nicole Cabell) - the beautiful daughter of the Queen of the Night (Luz de Alba Rubio), Tamino attempts to rescue Pamina after learning of her kidnapping by the high priest Sarastro. The Queen of the Night gives Tamino a magic flute for protection, and then sends him and Papageno (a bird catcher sung by Rod Gilfry) to find her daughter. It is not until after both men face tests of extreme elements that Tamino and Pamina are united. The Magic Flute ranges from the ultra dramatic to the highly comic. Presented in the form of Singspiel, it includes both singing and spoken dialogue.

Described by the North County Times as “an ideal introduction to opera for children“ this production was first seen in San Diego in 2001, and again in 2006, with costumes by renowned British textile designer Zandra Rhodes. Known for her bright pink hair, dramatic designs, and past work with clients such as Sir Elton John and Princess Diana, Rhodes’ colorful costumes heighten the magical setting and help “conjure a primal realm, somewhere between sleep and wakefulness, and darkness and light, in which hopes, fears and desires present themselves to human consciousness and conscience” (Sign on San Diego). It was due to Rhodes’ theatrical style that she was approached for this project. It was beginning of Rhodes work for the stage. Most recently, she designed the English National Opera’s 2007 production of Aïda.

Dr. Michael Hampe is directing this production as well as having been a part of the set design team with Alberto Andreis, having worked on the San Diego Opera’s The Magic Flute in both 2001 and 2006. He has worked on productions throughout the world including Milan's Teatro alla Scala, Covent Garden, Opéra National de Paris, San Francisco Opera, Los Angeles Opera, the Bayerische Staatsoper, Munich, the Teatro Colón in Buenos Aires, Opera Australia, the Edinburgh Festival, Florence's Maggio Musicale, the Schwetzingen Festspiele, and the Pesaro Rossini Festival. In addition, Dr. Michael Hampe works as a professor at the Cologne Music Academy and is also an expert in international theatre construction. Hampe has also published several books, including Alles Theater, a collection of essays on various aspects of theatre and opera.

An incredible international cast gathers at Opera Pacific for The Magic Flute. The 2005 Winner of the BBC Singer of the World, Nicole Cabell will join the company as Pamina. Chad Shelton also joins the cast of The Magic Flute after singing the role Don José in Opera Pacific’s Carmen last February. Uruguyan soprano Luz del Alba Rubio reprises her Queen of the Night after making her European debut in the role in 1999 at the Summerfestival in Frankfurt and Mainz. Southern California local turned international star, Rod Gilfry, sings Papageno.


Singing the role of Tamino is tenor Chad Shelton who was last seen with Opera Pacific as Don Jose in 2006’s Carmen. He began the 2006-07 season with L’Opera de Nancy as Guido Bardi in Zemlinsky’s A Florentine Tragedy. Later that season he sang Alfredo in La Traviata with Utah Opera and Central City Opera and performed Handel’s Messiah with the Virginia Symphony. Among his engagements in future seasons is a return to L’Opera de Nancy for Lysander in A Midsummer Night’s Dream and both Don Ottavio in Don Giovanni and Tamino in Die Zauberflöte at the Grand Théatre de Genëve. Hailed by Opera News for his unfailing ability to tackle “high-flying tessitura without even a flicker of strain” as well as having a “convincing line and technical finesse,” tenor Chad Shelton garners acclaim for his characterizations of leading roles on national and international stages. A frequent leading presence with Houston Grand Opera, Shelton’s other roles with the company include Pinkerton in Madama Butterfly, Captain Vere in Billy Budd, Nemorino in L’elisir d’amore, and Camille in The Merry Widow. Known for his commitment to contemporary works, Shelton created the role of Laurie in Mark Adamo’s Little Women with Houston Grand Opera, a performance of which was telecast on PBS and commercially recorded on the Ondine label.

Soprano Nicole Cabell makes her debut with Opera Pacific singing the role of Pamina.
Cabell, the 2005 Winner of the BBC Singer of the World Competition in Cardiff and exclusive DECCA recording artist, is fast becoming one of the most sought-after lyric sopranos of today. Miss Cabell’s 2006/2007 season included many exciting debuts, most notably with the Royal Opera House, Covent Garden as Eudoxie in concert performances of La Juive, the Orchestra of St. Luke’s at Carnegie Hall in Poulenc’s Gloria, the Santa Fe Opera as Musetta in La Bohème, the Opéra de Montpellier as Adina in L’Elisir d’Amore and with Opera Rara in a recording and concert performance of the title-role of Donizetti’s Imelda de’ Lambertazzi. Other notable concert appearances included Carmina Burana and Honey and Rue with the Oslo Philharmonic and Andre Previn, an all-Bernstein evening at Harvard with Judith Clurman, the Gorecki 3rd Symphony with the Minnesota Orchestra and Osmo Vänskä, Messiah with the San Diego Symphony and a return to the Indianapolis Symphony for a concert of Opera Arias with Mario Venzago.

Uruguyan soprano Luz del Alba Rubio appears as the Queen of the Night after her Opera Pacific debut in last September’s Opera Under the Stars concert at the Irvine Bowl. Luz del Alba Rubio made her European debut in 1999 at the Summerfestival in Frankfurt and Mainz, as Queen of the Night in The Magic Flute. She has performed as Musetta in La Boheme, at the Teatro di Regio di Parma and Teatro Solis in Montevideo, Gilda in Rigoletto (in over 20 productions) in Italy, Switzerland, and in the States, Orlando and New York City Opera. She also sang Lucia de Lammermoor and Adina in L’Elisir d' Amore in Rome and San Gemignano. As Verdi’s Violetta she has performed at the Vienna Staatsoper, Deutsche Oper in Berlin, Bruxelles, Liege, Ghent, Rome, San Gemignano, Uruguay, and in the states, Orlando and Gibraltar Opera House for its re-opening after 50 years. At the invitation of Placido Domingo and Washington Opera she made her American debut performing as a flower maiden in Parsifal and Antonia & Guilietta in Tales of Hoffman. Since then she has performed the title role in Lakme at the Baltimore Opera, Olympia in Tales of Hoffman at the West Palm Beach Opera and Antonia in Tales of Hoffman at the Cleveland Opera. In 2004 she sang Susanna in The Marriage of Figaro in Trapani, Italy. In the next season she debuted as Rosina in The Barber of Seville at the Teatro Colon in Buenos Aires and debuted as Donna Anna in Don Giovanni in Lecce, Italy. Her most recent engagements included singing Rosina in The Barber of Seville at the Ercolano Festival in Naples, performing in a La Fenice production of La Traviata in Beijing and Rigoletto in Jesi, Italy.

Singing the pivotal role of Papageno is baritone Rod Gilfry, who was brought to worldwide attention when he created the role of Stanley Kowalski in the 1998 premiere of André Previn's A Streetcar Named Desire with the San Francisco Opera. This production, conducted by the composer, was televised nationwide on PBS; a live recording was released by Deutsche Grammophon and DVD and VHS versions have subsequently been issued. He has also recorded on EMI, Erato, Philips, Telarc and Teldec. His live video performances of the Mozart/Da Ponte operas are available on DG/Archiv. With the addition of his assumption of the role of Nathan in the 2002 Covent Garden premiere of Nicholas Maw’s Sophie’s Choice and the 2003 Los Angeles Opera premiere as Tsar Nicholas II in Nicholas & Alexandra, Mr. Gilfry has become many composer’s baritone of choice for romantic lead roles in new operas.

Opera Pacific Prologue
The Opera Pacific Prologue on The Magic Flute will be held at Bowers Museum on Sunday, January 6 at 2:00 pm with director Dr. Michael Hampe and Prologue speaker Ron Shaheen. Opera Pacific’s Prologues provide an introduction to the opera for all audiences and are designed to provide information for those new to opera, as well as those who have been lifelong fans of the art form. Prologue speaker Ron Shaheen lends his insight into the history, music and plot intricacies as intended by the composer. Prologues also provide audience members an opportunity to ask questions in discussions with the guest speaker, and hear excerpts from the upcoming productions performed by mainstage cast members.

Pre-Performance Lecture

An overview of the performance, story synopsis, historical and composer connections, and personal insights with Opera Pacific’s Chorus Master Henri Venanzi is held one hour prior to each performance in Segerstrom Hall.

22nd Season of Opera Pacific

Celebrating its 22nd Season, Opera Pacific has established itself as one of the finest professional opera companies in the nation. Opera Pacific's mainstage productions, extensive community outreach programs, and energetic Guild Alliance combine to create a cultural resource for all of Southern California. More than 670,000 people have enjoyed Opera Pacific's productions at the Orange County Performing Arts Center, while over 575,000 young people have discovered the world of opera through the company's in-school presentations, Student Previews, and nationally recognized Opera Camps.

In addition to the "grand opera" repertory, Opera Pacific has responded to the need for strong, professional productions of classic American musical theatre and European operetta. Under the baton and dedication of John DeMain, opera is an event with the honest communication of the stories and musical values of the works, combined with exciting singers, and major opera house scale productions.

Tickets for The Magic Flute
Tickets for The Magic Flute are priced from $27 to $191 and are available by calling 1-800-34-OPERA, online at www.operapacific.org, or by visiting the Orange County Performing Arts Center Box Office at 600 Town Center Drive in Costa Mesa. For information, go to www.operapacific.org. For groups, call (714) 830-6361.