Monday, July 16, 2007

MAMMA MIA!

RETURNS TO THE CENTER

August 7-19 in Segerstrom Hall


Benny Andersson
and Björn Ulvaeus’ MAMMA MIA!, the smash hit musical based on the songs of ABBA, returns to Segerstrom Hall at the Orange County Performing Arts Center August 7 to 19. MAMMA MIA! is part of The Center’s popular Curtain Call Series.

Inspired by the story-telling magic of ABBA’s timeless songs, writer Catherine Johnson’s sunny, funny tale of family and friendship unfolds on a Greek island. On the eve of her wedding, a daughter’s quest to discover the identity of her father brings three men from her mother’s past back to the island they last visited 20 years ago. Songs including “Dancing Queen,” “The Winner Takes It All,” “Money, Money, Money” and “Take A Chance on Me” are all featured in this feel-good night of fun and laughter.

With more productions playing simultaneously around the world than any other new musical, MAMMA MIA! is now the world’s # 1 show. There are currently twelve productions of MAMMA MIA! running concurrently around the world (ten permanent productions and two tours). With a worldwide gross of over $2 billion dollars and audiences of more than 30 million people, MAMMA MIA! is acclaimed by the Associated Press as “quite simply, a phenomenon.”

The original cast recording of MAMMA MIA! is available on Decca Broadway.

For information about MAMMA MIA! around the world, go to www.mamma-mia.com

ORANGE COUNTY PERFORMING ARTS CENTER

The Center is committed to supporting artistic excellence on all of its stages and engaging the entire community in new and exciting ways through an array of inspiring programs.

The Orange County Performing Arts Center opened in 1986 with its 3,000-seat Segerstrom Hall and intimate 250-seat Founders Hall. In 2006, The Center expanded its venues to include the 2,000-seat Renée and Henry Segerstrom Concert Hall and 500-seat multi-functional Samueli Theater. The Center’s new facility, which also includes a studio theater and education lab, joins with the adjacent Tony® Award-winning South Coast Repertory and a site for a future visual arts complex to create Segerstrom Center for the Arts. A 46,000-square-foot outdoor community plaza unites all of the venues to create one of the largest performing arts campuses in the United States.

The Orange County Performing Arts Center presents a broad range of programming each season, including international ballet and dance, national tours of top Broadway shows, intimate performances of jazz and cabaret, classical music performed by renowned chamber orchestras and ensembles, family-friendly programming and many other special events.

The Center offers many programs designed to inspire young people through the arts. These programs reach more than 500,000 students of all ages with vital arts-in-education programs, enhancing their studies and enriching their lives well into the future.

The Center is proud to serve as the artistic home to the region’s major performing arts organizations: Pacific Symphony, the Philharmonic Society of Orange County, Opera Pacific and the Pacific Chorale.

For more information, visit www.ocpac.org.

Tickets to performances at the Orange County Performing Arts Center are
$23 - $73, and are available at The Center’s Box Office at 600 Town Center Drive in Costa Mesa, by calling (714) 556-2787 or online at
www.ocpac.org. For inquiries about group ticket discounts, call The Center’s Group Sales office at (714) 755-0236. The Center’s TTY number is (714) 556-2746.

The Center applauds Mercedes Benz, the official vehicle of The Center, for its support.

MAMMA MIA!

Orange County Performing Arts Center

Segerstrom Hall

August 7-19, 2007

Tuesdays-Fridays at 7:30 p.m.

Saturdays at 2 & 7:30 p.m.

Sundays at 1 and 6:30 p.m.

Theater: Orange County Performing Arts Center – Segerstrom Hall

600 Town Center Drive, Costa Mesa, CA

Tickets: $23, $28, $42, $48, $63, $68, $73

In Person - The Center Box Office
600 Town Center Drive
Costa Mesa, CA 92626

Open 10 a.m. - 6 p.m. daily

Online - www.ocpac.org

Phone - (714) 556-2787

Open 10 a.m. - 9 p.m. daily

TTY number - (714) 556-2746

Group Sales - (714) 755-0236

Artists, dates and programs are subject to change.

The Orange County Performing Arts Center is a private, non-profit organization. “Orange County Performing Arts Center” is a California registered trademark.


Sunday, July 15, 2007


“I am the voice of a free and borderless generation.”

– Hafez Nazeri

World Premiere of

Rumi Symphony Project Cycle Number One

Celebrating 800 years of the poet Rumi

Hafez Nazeri begins his large scale

Rumi Symphony Project

with this concert at Walt Disney Concert Hall

One Performance Only! Friday, August 17, 2007 at 8 p.m.

Nine piece ensemble of Iranian and Western classical performers,

includes Shahram Nazeri, the internationally acclaimed Iranian vocalist

This concert presented by Rumi Symphony Project and National Geographic Live!

Persian musician Hafez Nazeri leads a performance of his large scale Rumi Symphony Project with the world premiere of the project’s Cycle Number One at a single performance at Walt Disney Concert Hall of the Music Center of Los Angeles County, on Friday, August 17 at 8 p.m.

Hafez Nazeri’s original compositions will be performed by a nine piece ensemble featuring both Persian performers and members of the Los Angeles Philharmonic, including Hafez’ father, Shahram Nazeri, the internationally acclaimed vocalist from Iran. The second part of the concert features all new compositions that have never been performed before.

The concert celebrates the 800th anniversary of Rumi, the most popular Sufi poet in history. The poet’s works have influenced both the Nazeris’ musical lives and in return, the Nazeris are credited with bringing the poems to the attention of modern audiences worldwide.

Tickets: $35-150 plus VIP seating. To purchase, Call 213-227-9291. Tickets also available through TicketMaster at ticketmaster.com and by phone, 213-365-6500. For more information, visit http://www.musiccenter.org/wdch/, www.myspace.com/hafeznazeri or www.rumandhumble.com.

This is the first program of the Rumi Symphony Project, which encompasses a large body of both finished and ongoing compositions by Hafez Nazeri – to be performed as concert cycles around the world, all inspired by the work of Rumi. This concert marks the first time a major new work of Persian music has premiered at Walt Disney Concert Hall.

This concert is presented by The Rumi Symphony Project and National Geographic Live!. The concert is generously supported by the Asia Society, the leading global and pan-Asian organization working to prepare Asians and Americans for a shared future. The producers would also like to thank The Festival of Sacred Music for their help with the concert.

A second generation artist, composer Hafez Nazeri is creating a new post-classical genre of music that has an Iranian identity, but adds all of the cultural influences that Nazeri has had through a lifetime of listening and performing music. “Harmony is very important to my music and my music blends traditional Persian music and western classical music, where Persian sounds are produced by the Persian instruments and classical music elements of the work are performed on Western instruments to produce a wholly unique sound, a synthesis that is new and different to both Persian music fans and those accustomed to Western classical music. I try to use my culture’s music, like Bartok did his, to remake what was heard in his era of classical music.”

“My cultural horizons are broad simply by being my father’s son, but I grew up in the Internet world – a world spanning amazing vocabularies of sound, but often with conflicting ethnic and political identities. I have an unstoppable personal quest to quiet the tensions of our times within myself through music. Once you introduce Western ideas of harmony to Persian music, it can expand geometrically to a place where it has never been.”

Classical Western, American Jazz, Indian Ragas, and African rhythms all join Nazeri’s Iranian roots in a music that is as current as the internet, a tool which helps him connect influences that would never have thought to have intersected before.

“I bring all of this to the work to Rumi, that for myself, is the most profound artist who ever lived, whose words and thoughts speak to all of civilization. With Rumi, I am on a journey with my eyes, ears and heart open to incredibly exciting possibilities. I am the voice of a free and borderless generation. I hope my project and the ideas behind it serve to establish a new path for blending the musical visions of the east and west.”

Hafez Nazeri is one of Iran’s most influential and admired young composers. Nazeri is also renowned for his musicianship, both as a vocalist and on a variety of Persian instruments. The New York Times has acclaimed concerts of the younger Nazeri’s work for their "...impassioned singing and meticulous improvisation."

The son of legendary musician Shahram Nazeri, Hafez began voice lessons at the age of three, and went on to win first place in many voice competitions. At seven, he began to focus on his studies of the tanbour and setar, which he had played for several years. He then became intrigued by the daf, a percussion instrument that he had taught himself to play. In the process, he invented a new technique for playing that instrument, which is now emulated by many younger Persian musicians.

By the age of nine, Hafez had already begun to perform alongside his father at many prestigious music festivals in Europe and the Middle East. Hafez has extended the technique of setar-playing and has received praise from musicians and craftsmen alike for this.

At the age of sixteen, he performed, among others, at the Sfinks Festival in Belgium, the Festa del Popolo in Italy, the Théâtre de la Ville in Paris and the Beiteddine Festival in Lebanon among many, many more.

In 2000, Hafez assembled a talented group of young performers to form The Rumi Ensemble. Together they performed Hafez’s original compositions in a series of landmark concerts in twenty Iranian cities. These innovative concerts not only reached younger audiences, they also had an impact on the musical scene in Iran and beyond. With 140,000 in attendance, The Rumi Ensemble’s concerts in Tehran set a record for the entire Middle East.

Selected pieces from that tour have been performed by the Armenian Philharmonic Orchestra at Royal Albert Hall in London, and at music festivals around the globe, including the Sodra Teatern in Stockholm, the De Bijloke in Ghent, Belgium, as well as at the Fez Festival in Morocco, and the Théâtre de la Ville in Paris. At the age of 20, in search of new artistic ground, Hafez went to New York to study western classical music. In 2005, he graduated with a Diploma in Composition and Conducting from the Mannes College of Music.

Later that year, Hafez, along with new members of The Rumi Ensemble launched a highly successful North American tour, performing record-breaking sold-out concerts, to rave reviews. The venues included Los Angeles’ Kodak Theater (in December 2005 - the most highly attended Persian classical music concert outside of Iran), Atlanta Symphony Hall and the tour also traveled to San Francisco, Washington D.C., and Boston.

Hafez’ has been interviewed by various media outlets, including the radio stations KPBS, KPFK, KPFA, UC Berkeley Radio and on NPR. He has been seen on CNN, BBC World Service, BBC’s The Ticket with Mark Coles, Fox News, and ABC News.

He received a UCLA creativity award for most distinguished young composer. The United Nations recognized Hafez’s contributions and his innovation in undertaking the “In the Path of Rumi” tour. He received recognition from The Congress of the United States and was invited to lecture at both Emory University and Harvard University, where he was recognized for his pioneering efforts and innovation in Persian music.

Shahram Nazeri is an icon of Persian classical and Sufi music.

He was the first vocalist to set Rumi’s Divan-e Shams to Persian music thirty-five years ago, thus establishing a new tradition of Sufi music within both Persian classical music and Kurdish music. His music was groundbreaking, introducing Western musical audiences to both Sufism and to the poetry of Rumi. The New York Times has dubbed him the “Persian Nightingale” and the Christian Science Monitor has called him “Iran’s Pavarotti”.

He has performed at major venues worldwide, including The Festival of Aix-en-Provence, The festival of Avignon, Theâtre de la Ville in Paris, The Tokyo

Summer festival, The Kodak Theatre (Oscar ceremony) in Los Angeles, and the Royal Albert Hall, the Festa del Popolo in Italy, The Beiteddine Festival in Lebanon,

the Kölner Philharmonie in Germany, Asia Society in New York, World Music Instituted and the Roma Europa Festival in Rome and Fes Festival of World Sacred Music in Morocco and many others.

Master Nazeri has released over forty recordings to date. His “Gol’eh Sad Barg,” has held the record for the highest selling album of Persian classical music and Sufi music in history.

His mother first nurtured Nazeri’s musical talents at a very young age. Throughout his childhood, he was under the tutelage of the most renowned masters of Persian music, including Abdollah Davami, Nourali Boroumand, and Mahmood Karimi. At eleven, he performed on television for the first time. By twenty-nine, he had gained a loyal fan base. He has continued to perform in Iran and abroad over the course of the last two decades.

From early on, Master Nazeri sang and composed music to the works of Mawlana Jalal ad-Din Rumi, Iran’s most cherished Sufi poet. Nazeri also pioneered the use of contemporary Persian poetry in the classical repertoire.

His progressive approach to music has led him to collaborate on new projects with his son, Hafez Nazeri. In 2000, they performed Hafez’s new composition in Iran. In 2005, Nazeri performed along with his son’s Rumi Ensemble on a highly successful North American tour of record-breaking, sold-out concerts, to rave reviews. The tour venues included Los Angeles’ Kodak Theater – the concert there was the most highly attended Persian classical music concert outside of Iran. Nazeri’s performances have garnered critical acclaim worldwide and won him awards at music festivals around the world. In 1975, he won First Prize at the Concours de Musique Traditionelle, the first competition to showcase Iran’s great performers.

The Ministry of Culture in Iran named him the Best Singer of Classical Persian and Sufi Music. The United Nations has honored Nazeri with a recognition award for his legendary contribution to the revival of Kurdish and Iranian Classical Music. Shahram Nazeri also received a recognition award from the Congress of the United States and was invited to lecture at Harvard University where he was recognized for his pioneering efforts in introducing Rumi to the West as well as for his innovations in Persian music. UCLA has honored Shahram Nazeri with the Living Legend Award. He has been featured on NPR, BBC, Fox News and ABC NEWS.


http://www.musiccenter.org/wdch/,
www.myspace.com/hafeznazeri or http://rumandhumble.com

Thursday, July 12, 2007

A ‘FREE FOR ALL’ STARTS THIS SUMMER
AT THE ORANGE COUNTY PERFORMING ARTS CENTER


NEW SERIES BRINGS FREE MUSIC, DANCE,

The Orange County Performing Arts Center is launching a new series - FREE FOR ALL. Now audiences will have opportunities to experience The Center and exciting entertainment in new and intriguing ways – and all totally FREE.

Free for All shows and events have been designed to appeal to audiences of all ages as they enliven The Center’s venues and public spaces, including the beautiful 46,000-square-foot Community Plaza.

Center President Terrence W. Dwyer said, “Everyone was so thrilled with the enthusiastic response to our Merce Cunningham Dance Company engagement in May, which engaged the audience in a truly unique and interactive way and really signaled the type of events we want as a regular part of The Center’s programming. Free for All is another step in that direction. This is only a beginning, and we look forward to expanding these offering over the coming months. One of The Center’s key goals has always been to offer the work of the most exciting artists in our performance venues. Now, we want to throw our doors open and bring that same creative energy outside onto our community plaza and other performance sites. We want to become, in effect, a performing arts center without walls, truly accessible and welcoming to everyone in our community.”

Wednesday, July 11, 2007

National Choreographers Initiative

National Choreographers Initiative Discovery

July 9-28, 2007

The fourth annual National Choreographers Initiative will take place this summer from July 9-28. During the three weeks of intense creative effort at the dance studios of University of California, Irvine, teams of choreographers and professional dancers will produce new dance works culminating in a public performance of NCI Discovery at Irvine Barclay Theatre on Sat, July 28 at 8pm.

The choreographers invited by Director, Molly Lynch, come from a variety of backgrounds and are leaders in the dance community. The choreographers invited to participate this summer are: Melissa Barak, Edwaard Liang, Jerry Opdenaker, and Frank Chaves. [bios follow]

Molly Lynch commented, "As NCI enters into its fourth year, it’s very exciting to me to see how far this project has reached into the dance community and the effect of these choreographers’ works across the country. NCI has brought 12 choreographers to California to develop new works. Ten of the pieces begun here have gone on to be premiered or developed further and performed elsewhere in the United States and abroad. The project has also been blessed with 35 talented dancers representing 14 professional dance companies from across the country."

The process for the National Choreographers Initiative begins with a three-week rehearsal period that takes place in the dance studios at the University of California, Irvine, culminating in a public performance, NCI Discovery, on July 28, 2007 at 8pm at Irvine Barclay Theatre. During the three weeks of intense creative effort, choreographers and dancers will produce 4 new dance works. Each choreographer is given complete freedom to choose the style and theme of the work. Artistic Directors from dance companies around the country have been contacted for their input and involvement and will be invited to preview the new works for possible inclusion in their company's repertoire. [The choreographers retain the right to promote and license the works they have created to other companies.]

Melissa Barak was raised in Los Angeles, CA; trained at the Westside School of Ballet in Santa Monica; and was a scholarship student at the School of American Ballet. She joined New York City Ballet in 1998 and performed many leading roles with the company, including a principal in Christopher Wheeldon’s Klavier, Helena in George Balanchine’s A Midsummer Night’s Dream, and leads in The Four Temperaments, The Nutcracker, Swan Lake, and Sleeping Beauty. She recently became a member of the new Los Angeles Ballet. She began choreographing in 1997 and created a piece for the School of American Ballet Student Choreographic Workshop. She has participated in the New York Choreographic Institute in 2000, 2003, and 2006. She has choreographed works for New York City Ballet and Choreographers on Pointe. In 2001 she received the Mae L. Wien Award for choreography and the Choo San Goh Choreographic Award.

Frank Chaves was born in Cuba. He joined River North Chicago Dance Company in 1992 as a choreographer and, in 1994, became co-artistic director. In May 2001, Mr. Chaves assumed sole artistic directorship of River North Chicago. An international choreographer and teacher, Mr. Chaves has created numerous works for River North Chicago and other companies including Spectrum Dance Theatre, Giordano Jazz Dance Chicago, Point Park College for the Performing Arts, Barat Repertory Dance Company, Kaleidoscope Dancers, Pori Dance Company (Finland), and Ballet Pacifica’s Choreographer’s Workshop. Mr. Chaves’s theatrical commissions include work for Steppenwolf Theatre and the Cleveland Playhouse. As a performer, Mr. Chaves has danced with Ballet Concerto of Miami, New York’s Ballet Hispanico, Giordano Jazz Dance Chicago, and six years with Hubbard Street Dance Chicago. In 2000, Mr. Chaves received a Ruth Page Dance Achievement Award for Mission, co-created with Sherry Zunker, Co-Artistic Director Emeritus of River North Chicago, in honor of the Company’s 10th anniversary. He is also an Adjunct Professor of Dance for Western Michigan University.

Edwaard Liang was born in Taipei, Taiwan. He was raised in Marin County, CA, and began his ballet training at the age of five at Marin Ballet. In 1989, Mr. Liang entered the School of American Ballet. He joined New York City Ballet in the spring of 1993, and the same year he was a medal winner at the Prix de Lausanne International Ballet Competition and the Mae L. Wien Award. He was promoted to soloist in 1998. He danced with NYCB until 2001, when he joined the Broadway cast of Fosse, performing a leading role. In 2002 Mr. Liang became a member of the Nederlands Dans Theater 1, where he danced, choreographed and staged ballets. After returning from Holland, he returned to NYCB. He has also performed as a Guest Artist with various companies like the Norwegian National Ballet and Complexions. He has choreographed a number of works including a piece for Nederlands Dans Theater, which has been restaged for Aspen Santa Fe Ballet and Configurations. He participated in the 2004 New York Choreographic Institute. He has created pieces for Cedar Lake Dance Company, New York City Ballet, Pacific Northwest Ballet, Hubbard Street Dance Chicago, and Sadler Wells Theatre in London. He was named one of the “Top 25 to Watch” for 2006 by Dance Magazine.

Jerry Opdenaker was raised in Philadelphia, PA. Mr. Opdenaker graduated from the University of the Arts with a degree in dance. He has danced in many jazz and modern companies as well as Pennsylvania Ballet. After dancing with Kansas City Ballet, he joined Ballet Florida in 1992. He has performed in works by Peter Martins, Val Caniparoli, Daniel Ezralow, and Lynne Taylor-Corbett. For ten years, he was instrumental in the development, creatively and educationally, of STEP Ahead, Ballet Florida’s choreographic workshop. This project received an NEA - Access to Artistic Excellence grant twice. He has been choreographing since 1996 and his choreography has been performed by Ballet Florida and Ballet Gamonet. In 2005 he participated in the New York Choreographic Institute.

The first NCI took place July 22, 2004 with the idea of promoting the creation and production of professional dance. Under the direction of Molly Lynch, NCI provides an opportunity to engage outstanding choreographers from around the U.S. in the creative process. There is a need nationwide to have a workshop setting where choreographers can create works of their choosing and have time to experiment and develop their craft. Through this project, NCI provides this opportunity and therefore supports these national choreographers, dancers, and the greater dance community.

www.nchoreographers.org.

Monday, July 9, 2007







OPERA UNDER THE STARS

SEPTEMBER 15, 2007 at Irvine Bowl

to celebrate the 75th Anniversary of Festival of the Arts

Pageant of the Masters

Opera Pacific, led by Artistic Director John DeMain and President and Executive Director Robert C. announce Opera Under the Stars, a summer performance to celebrate the 75th Anniversary of the Festival the Arts Pageant of the Masters, Saturday, September 15 at 7:30 pm at Irvine Bowl. The concert is presented in partnership with the Festival of the Arts Pageant of the Masters.

The performance will use the operatic and American Songbook repertoire to resonate the 75th Anniversary Pageant theme of “Young at Heart,” highlighting love and lovers in operatic arias and scenes.

“Opera Under the Stars: Young at Heart” will feature performances by baritone Troy Cook, soprano Luz del Alba (who will be the Queen of the Night in Opera Pacific’s upcoming The Magic Flute), tenor James Valenti, bass, Christian Van Horn, mezzo-soprano Zheng Cao, soprano Robin Follman, the Opera Pacific Ensemble of Repertory ArtistsTM (O.P.E.R.A. TM), and the Opera Pacific Orchestra and Chorus conducted by John DeMain, Artistic Director and Principal Conductor.

In commemorating the 75th anniversary of the Festival of Arts, the theme of the 2007 Pageant of the Masters is “Young at Heart.” The “Opera Under the Stars” program will explore the myriad permutations of love. Audiences will be spellbound by unforgettable moments from the world's greatest composers. Bizet, Gounod, Leoncavello, Massanet, Mozart, Offenbach, Puccini, Rossini, Strauss, and Verdi will be represented with selections from The Barber of Seville, Carmen, Rigoletto, Romeo et Juliet, Madame Butterfly, and Die Fledermaus, to name a few. Even Stephen Sondheim will be featured, with the Opera Pacific Ensemble of Repertory ArtistsTM performing the Prologue from A Little Night Music.

Opera Pacific’s 2007-2008 season, performed at the Orange County Performing Arts Center’s opera house Segerstrom Hall, opens with Puccini’s La Bohème in the New York City Opera production designed by Allan Moyer (sets) and James Schuette (costumes). The opera will be performed October 24-November 3rd, 2007. Mozart’s The Magic Flute with stunning Zandra Rhodes costumes and sets by Michael Hampe and Alberto Andreis from San Diego Opera runs from January 23-February 2, 2008. Floyd’s Susannah, in the Chicago Lyric Opera production directed by Harry Silerstein designed
by Michael Yeargan, features a heartland-vibrant design recalling the muscular America of Thomas Hart Benton paintings, performs May 14-24, 2008.

Artistic Director John DeMain said, “Our production of Puccini’s La Bohème promises to be unforgettable with American soprano Kelly Kaduce as Mimi and Mexican tenor Arturo Chacon-Cruz, who we announcing now, replacing Yu Qiang Dai. I am thrilled to be conducting Mozart’s beloved The Magic Flute, and the Zandra Rhodes costumes highlight this colorful production, which will be a fantastical eye-popping delight. Audiences will be taken in quite a different, but equally powerful direction with Floyd’s American folk opera Susannah, which will end our season on a note of raw, emotional power.”

For tickets and information, please call 1-800-34-OPERA (1-800-346-7372) or visit www.operapacific.org. For groups please call 714-830-6361.

About Opera Pacific

Opera Pacific has established itself as one of the finest professional opera companies in the nation. Opera Pacific's mainstage productions, extensive community outreach programs, and energetic Guild Alliance combine to create a cultural resource for all of Southern California. More than 670,000 people have enjoyed Opera Pacific's productions at the Orange County Performing Arts Center, while over 575,000 young people have discovered the world of opera through the company's in-school presentations, Student Previews, and nationally recognized Opera Camps.

OPERA PACIFIC FAMILY OPERA

The Star Child

American and English premiere

Performed by Opera Camp students ages 8-18

By Hans-André Stamm

Based on the story by Oscar Wilde

NOW OFFERING FOUR PERFORMANCES

AUGUST 10 at 7pm, 11 at 2pm and 7pm, and 12 at 2pm

at the Claire Trevor Theatre, University of California, Irvine


Opera Pacific’s 2007 Family Opera performances of The Star Child take place August 10, 11, and 12 at the Claire Trevor Theatre on the campus of the University of California, Irvine. These performances will mark the American and English premiere of the opera. The Star Child is performed by Opera Camp students ages 8-18.

Local designers professionally create Opera Pacific’s Family Opera productions. The Star Child has costumes by Kevin Bennett, sets by Keith Bangs, and lighting by Burt Carlson. Master Classes will be taught by Nicola Bowie, who will also be Director of Opera Pacific’s “Opera Under the Stars” performance in September, and award-winning Bolivian-American soprano Lynette Tapia. Director of the camp and production in Andrew Nienaber, Opera Pacific’s main stage production Assistant Director.

This summer’s Family Opera production is The Star Child, based on one of the most popular fairy tales by Oscar Wilde. This adapted opera tells the story of the Star Child who appears to have fallen from the heavens as a shooting star and goes on a fantastic journey to overcome personal pride and learn generosity and self-sacrifice. The Star Child faces the consequences of selfishness in a world torn between beauty and ugliness, and grows to learn the value of life and love. Acceptable for all ages.

Opera Pacific’s Opera Camp is a three-and-a-half-week opera-training program for young singers seeking additional training and experience in a fun and energetic summer camp. The program includes daily course work in all facets of opera performance and production, as well as rehearsals for a fully staged opera production presented at the end of camp.

“My daughter was privileged to be in your opera camp in 2005 and this year [2006]. I was personally quite involved as well. It was absolutely a wonderful experience for her (and me!). The quality of the performance was extraordinary. Every kid seemed to be having a wonderful time while producing excellent work”, said Jeff Masonek, Opera Camp parent.

Opera Camp is one of seven education programs produced by Opera Pacific, and the first program of its kind in Southern California. Every year it has provided 40-45 children aged 8-18 years with hands-on training from professionals in the many aspects of opera performance. Children are selected by audition, and talented children whose parents are unable to pay the tuition are eligible for full or partial scholarship. The children receive three weeks of intensive training, and on the final weekend they present their opera for children from local schools, families and friends, and the public.

The curriculum is comprehensive. In addition to training in singing, acting and dance, the children also learn about choreography, set building, lighting, and costume design. Equally important, children from financially, culturally, and ethnically diverse backgrounds work together and learn the value of teamwork. As part of a creative team, they cooperate at all stages of making their opera a reality.

Opera Pacific works closely with regional school districts, and since the program’s inception in 1999, two hundred children have participated in Opera Camp. The camp experience dramatically influences the lives of these youths. Many have come back every year since the program’s inception. Several have later performed in the Children’s Chorus with Opera Pacific in mainstage productions, and several have pursued music as a career, studying at such notable music schools as Julliard, the Manhattan School of Music, and the Eastman School of Music.

The camp participants will begin their instruction and rehearsal process on July 18, working weekdays in preparation for their performances of The Star Child on August 10, 11 and 12, 2007, at the Claire Trevor Theatre on the campus of the University of California, Irvine.

For tickets call 1 800 34 OPERA or visit www.operapacific.org.

About Opera Pacific

Opera Pacific has established itself as one of the finest professional opera companies in the nation. Opera Pacific's mainstage productions, extensive community outreach programs, and energetic Guild Alliance combine to create a cultural resource for all of Southern California. An audience of more than 670,000 have enjoyed Opera Pacific's productions at the Orange County Performing Arts Center, while over 575,000 young people have discovered the world of opera through the company's in-school presentations, Student Previews, and nationally recognized Opera Camps.

OPERA PACIFIC’S 22nd Season (2007-2008) begins with Puccini’s La Bohème, October 24, 28, November 1, 3, 2007, followed by Mozart’s The Magic Flute, January 23, 27, 31, February 2, 2008, and Floyd’s Susannah, May 14, 18, 22, 24, 2008. All performances are in Segerstrom Hall at the Orange County Performing Arts Center.

Thursday, July 5, 2007

Stone Soup Storytellers Retreat

You are invited to the 5th Annual Stone Soup Storytellers Retreat at Camp Ocean Pines, in Cambria, CA on September 28-October 1, 2007! Set in the pines overlooking the ocean, this is a beautiful setting for professionals to relax and learn from each other. What better incentive to develop new tales and expand your repertoire than to share with other tellers. Of course we’ll have good food, good drink, and good company to enjoy.

· Very informal and unstructured

· Relaxing -- no pressure

· Telling among ourselves

· Learning from other tellers

· "Stories 'Round The Fire" at Cayucos Beach with Kirk Henning

· Beautiful location and very good food

· Nice cabins with bathrooms!

Kirk Henning (www.kirkhenning.com), storyteller from Cayucos, will help us design the agenda. We will discuss topics of our choosing, sharing ideas and experiences with all the storytellers! As a bonus treat, we’ll reserve some time to swap stories around a MICROPHONE – going home with the “live CD” collection of a pleasant evening of shared stories. Upon request of last year’s group, our next bonus treat is a public storytelling event at the beach led by Kirk Henning.

Camp Ocean Pines loves to support storytellers in honing their time-honored craft. Three nights lodging, 8 meals, and lots of storytelling for $235/person. For those who are not able to stay over for Monday, the cost is $195 for two nights lodging, 5 meals. Call 805-927-0254 to register or sign up online at www.campoceanpines.org. We hope you can come and bring a friend!

Sincerely,

Chris Cameron, Executive Director

Camp Ocean Pines, Cambria, CA www.campoceanpines.org